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All Journal Gelar : Jurnal Seni Budaya
Efrida Efrida
ISI Surakarta
Arts Humanities

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KONTRIBUSI SILAT TUO DALAM TARI RANTAK KARYA GUSMIATI SUID Efrida Efrida
Gelar : Jurnal Seni Budaya Vol 11, No 2 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (238.139 KB) | DOI: 10.33153/glr.v11i2.1453

Abstract

Rantak is a dance choreography created by Gusmiati Suid on 1987. The dance is still beenlearned at schools, colleges, and dance studios in West Sumatra. Beyond West Sumatra, thedance also often becomes a learning material in creating Minangkabau style dance. Rantak Dancehas become a well–known Minangkabau cultural icon in Indonesia and abroad. The Rantak Danceadapted Minangkabau’s silat tuo moves as the choreography idea. Not only the moves, the danceadapted the essence and the philosophy of silat tuo, these facts distinguish Rantak Dance fromother Minangkabau dances. The creation process that was taken by Gusmiati Suid was veryamazing. She was doing silat tuo in–depth learning process for six years at several nagari iniMinangkabau. Her seriousness showed that Rantak Dance was a legitimate monumental danceby a choreographer named Gusmiati Suid.    
PENCIPTAAN SENDRATARI MALIN KUNDANG SANGGAR PINCUK BALEKAMBANG SOLO MELALUI PENDEKATAN KREATIVITAS Efrida Efrida
Gelar : Jurnal Seni Budaya Vol 11, No 1 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (234.256 KB) | DOI: 10.33153/glr.v11i1.1431

Abstract

Malin Kundang legend is very popular in Minangkabau community West Sumatra. Traditionalliterary work is very interesting and can be source for a creation of sendratari. This creation isstarted by reinterpreted the story of Malin Kundang. The interpretation is the priority for the sake ofperformance in order to make more prominent meaning. It is needed a theoretical approach inprocess of creation. The theory used in the creation is the theory of creativity in which include theproperty of authenticity (originality), fluency, elasticity or flexibility and elaboration the ability tocomplete the details or parts of concepts or understanding. The result of this study are 1) examinethe original story of Malin Kundang legend, 2) reinterpreted Malin Kundang legend , 3) create ascript to suit the mindset of spectators and crews, 4)selecting or creating dance that suit to thestory, 5) the process of work formation.
OLAH VOKAL DALAM TARI INDANG PARIAMAN SUMATRA BARAT (Kajian tekstual dan fungsi) Efrida Efrida
Gelar : Jurnal Seni Budaya Vol 10, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1138.01 KB) | DOI: 10.33153/glr.v10i2.1415

Abstract

Indang is one of traditional arts which develops in Pariaman, West Sumatra. This traditional art is a combination of literature and dance movements. This research aims to find out the textual and functional changes developing in accordance with the society’s taste. The data was collected through observation, interviews, and literary study. The data was analyzed using an analysis on textual and functional changes. The research result showed that the vocal of Indang dance existed in small Muslim chapels accompanied by songs containing Islamic lyrics. The indang dance had changed from a sacred into a profane dance. That the movements of Indang dance are relatively simple and monotonous but the dance keeps on existing is interesting. The Islamic teaching in the lyric of oral literature always complies with the society’s taste. Indang dance functions as entertainment and a means of communication performed for a variety of purposes. Key words :  indang, textual, changes, function, Pariaman Pengantar
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