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BENTUK SAJIAN TARI SRIKANDHI CAKIL Dwi Maryani
Gelar : Jurnal Seni Budaya Vol 8, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3527.605 KB) | DOI: 10.33153/glr.v8i1.1303

Abstract

Srikandhi Cakil dance has the theme of heroism using antawecana (dialogues) and tembang (Javanese songs). Javanese gamelan is used to accompany the dance and at the beginning the accompaniment is ada-ada, Srepeg, ketawang teplek, and then the second srepek, and ada-ada jugag is used before dialogues. In the dialogue, Cakil sits with the knees bent after knowing that he is facing Dewi Woro Srikandhi. To show that Cakil is surprised and gives a respect to Dewi Woro Srikandhi, this scene is accompanied by pathetan jugag. The dialogue is continued to the conversation on the king Jungkung Madiyo’s proposal which is rejected by Srikandhi. The accompaniment of ada-ada jugag is used to make the atmosphere that Cakil is angry. Key words : dance, Srikandi, Cakil
Wiraga Wirama Wirasa Dalam Tari Tradisi Gaya Surakarta Dwi Maryani
Gelar : Jurnal Seni Budaya Vol 5, No 1 (2007)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3467.3 KB) | DOI: 10.33153/glr.v5i1.1233

Abstract

Javanese traditional dances of Surakarta style are one of the ancestor’s  heritage owned by the king so that abdi dalem (the royal servants), especialy abdi  dalem taya in the court of Surakarta remain obeying the king’s order. In other  words, traditional art of Surakarta existing in the court of Surakarta still go on  according to the handbook or guidelines applicable at that time. To be a good Javanese  dancer, someone has to have a good knowledge of three basic concepts, namely, wiraga,  wirama, and wirasa. A Javanese dancer, especially that of  surakarta style, should  pay attention to the series and forms of movements, and dance structure and call  adjust the kind and character of the dance to the rhythm of gending (melody). A  dance who has acquired skills in wiraga, wirama, and wirasa will dance gracefully,  not stiffly. He will not make forced movements; everything looks smooth and flows in  enjoyable rhythm. He moves seriously but does not look strained.Keywords: Wiraga Wirama Wirasa, Traditional Dance.
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