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MAKNA KESUBURAN DALAM PERTUNJUKAN TAYUB Rabimin Rabimin
Gelar : Jurnal Seni Budaya Vol 8, No 2 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (9267.117 KB) | DOI: 10.33153/glr.v8i2.1335

Abstract

This article gives the information on the meaning of fertility in Tayub performance in Java which is  lately thought to be more negative (Iekoh) than positive. Ironically, many Tayub performances are  prohibited in certain regions such as Kecamatan Sambung Macan (Sragen), Kabupaten Gunung Kidul, Special Distric of Yogyakarta and so on.Tayub as the pride of rural people is one of the supreme art supporting the life and preservation of national culture especially Java. One of thefunctions of ritual Tayub is believed as the symbol of fertility for plants and for the soil of rural peasants, and for the people themselves. This article describes a variety of data in Tayub  performance, some pros and cons and the explanations. The two opinions have been explained in depth in this article and it can be concluded that the fertility in Tayub can have an effect on the  fertility of plants, soil and people (the dancers and audience). This can happen because there are the same elements, namely, the soil essence of vicious passion (Iauwamah), the water essence of sufiah passion supported by the atmosphere (wind) essence of mutmainah (strong drive to avoidimmoral actions) and the fire essence of anger. Those passions are very useful as the foundation of peace if one can handle them.Key words: Tayub, fertility, and meaning
KINJENG TRUNG GENDING KERAMAT DARI DUKUH MAJAPAHIT Rabimin Rabimin
Gelar : Jurnal Seni Budaya Vol 8, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5325.057 KB) | DOI: 10.33153/glr.v8i1.1313

Abstract

This writing gives an information on gending (melody) Kinjeng Trung thought to be sacred by the people of Dukuh Majapahit (Sambungmacan – Sragen) and its surroundings. When the invited guests from Dukuh Majapahit attending a banquet are not welcome with the presentation of gending Kinjeng Trung, the one who holds a banquet will get an accident or feel ashamed and will not feel safe because there will be an unnatural circumstance such as the food cooked is not done, dominated by an evil spirit, getting ill suddenly, and so on.    Kinjeng Trung gending has been known in Dukuh Majapahit and its surroundings since about the 15th century. In addition to being a gending for accompanying Tayub and Badhutan, the main function of Kinjeng Trung gending is to render honors so that it is everlasting. Recently the gending has been making rapid progress in cakepan, the instruments, garap and function. This writing gives some information on problems such as: historical background, notation of gerongan and sindenan. This writing aims to help the reader to understand the content and practice. Key words : kinjeng trung, sacred, Majapahit
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