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Eko Supriyanto
ISI Surakarta
Arts Humanities

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KRITIK UNTUK KRITIK TARI†MINAT YANG TERJAUHI OLEH PENGGIAT TARI Eko Supriyanto
Gelar : Jurnal Seni Budaya Vol 8, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4126.935 KB) | DOI: 10.33153/glr.v8i1.1305

Abstract

Dance critic in the performing arts becoming a rare field, which people in performing arts are more concern on keen observers and practitioners. In the dance world, the Republic of Dance open many possibilities including the field of dance critic to delivered the ideality to critic of dances. Thus, it should be more established on writing not only as reviews, description, nor personal experiences; but also, the depth of intuition, sense of aesthetic, expertise on the field of performing arts, evaluation, and technique of choreography, dance, music and state production. This field of study is open many opportunities for dancer and choreographer to challenge the continuity and life of the dance world in Indonesian performing arts. Key words : dance, critic, performing art
KLEWERAN SASTRO KINANG SEBUAH KARYA SENI PENCIPTAAN TARI Maharani Luthvinda Dewi; Eko Supriyanto
Gelar : Jurnal Seni Budaya Vol 15, No 2 (2017)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (13629.985 KB) | DOI: 10.33153/glr.v15i2.2222

Abstract

Karya Kleweran Sastro Kinang diinspirasi dari bango Sastro Kinang yang pernah berada di Los C10-11 Pasar Klewer. Karya ini berupaya menampilkan aspek performatif yang natural dan artifisial. Aspek natural terjadi melalui aktivitas transaksi pedagang dan pembeli. Aspek artifisial disajikan melalui tari yang geraknya merupakan hasil eksplorasi laku pedinan di Pasar Klewer. Keseluruhan aspek itu diwadahi dalam karya dengan bentuk pameran atau instalasi aneka produk Pasar Klewer.Kata kunci: Klewer, Sastro Kinang, laku pedinan.The work of Kleweran Sastro Kinang was inspired by Bango Sastro Kinang who was at Los C10-11 Pasar Klewer. This work seeks to display the natural and artificial performative aspects. Natural aspects occur through transaction activities of traders and buyers. An artificial aspect is presented through dance whose motion is the result of laku pedinan exploratory in the Klewer Market. All aspects are accommodated in works with exhibition forms or various installations of Klewer Market products.Keywords: Klewer, Sastro Kinang, laku pedinan.
Co-Authors Maharani Luthvinda Dewi