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ISI Surakarta
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INTERAKSI SENI PERTUNJUKAN WAYANG DAN POLITIK Jaka Rianto
Gelar : Jurnal Seni Budaya Vol 7, No 1 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3148.966 KB) | DOI: 10.33153/glr.v7i1.1261

Abstract

The article entitled “Wayang and Politics: the Interaction of Shadow Play with the Power System” discusses the intervention of the authority in puppet theatre. The intervention has begun since there was an understanding that art could be a medium for practical purposes. Based on the fact, this article aims to explain the problems of how the power system intervenes wayang theatre and what the wayang paradigm in the Indonesian power system is like. Based on the analysis on political system dimension, the result of the research showed that to make the art development free from the intervention of the authority was hard to realize. Wayang theatre, indeed, can be used as the frame of the behaviour of the authority. We can see, for instance, that politicians are analogous to wayang; there is a belief that wayang ruwatan (an act of exorcism) performance aims at making a certain political party win.Keyword : wayang performance, politics, power
BAHASA UNGKAPAN DALAM PERTUNJUKAN WAYANG KULIT SEBAGAI CERMIN PANDANGAN HIDUP Tatik Harpawati; Jaka Rianto
Gelar : Jurnal Seni Budaya Vol 10, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2000.835 KB) | DOI: 10.33153/glr.v10i1.1383

Abstract

Expression language is a product of Javanese culture. Therefore, the expression for the Java  language is a reflection of local wisdom . Expression language in the realm of Javanese literature has variations designations, such proverbs, peribahasan, bebasan, saloka, and pepindhan. Expression language in the Wayang indeed a product so as to interpret the      Javanese to be seen by the Javanese worldview. The use of the expression language puppet show scattered in chess (Janturan, pocapan, and ginem). The problem in this article, namely how to form a language expression, functions, and values   of life contained therein. The goal is to describe, an explanation of the expression language function, and get an explanation of the values   of life contained therein. Based on the key word  metaphors, expression language in the Wayang classified into eight types, namely:  animals, plants, people, body parts, relatives, things in heaven, things in earth, and water. Based on the study of the meaning of the obtained results that address how people live in harmony with family, friends, community, neighborhood, country, and God. Different outlook on life is packaged in the form of language and expression when applied in chess puppet show that will add weight to the aesthetic presentation.      Key words : expression language, puppet show, the value of life
Co-Authors Tatik Harpawati