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All Journal Gelar : Jurnal Seni Budaya Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Rabimin Rabimin
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Arts Humanities

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MAKNA LAGU DOLANAN ILIR-ILIR Rabimin Rabimin
Gelar : Jurnal Seni Budaya Vol 7, No 2 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5433.046 KB) | DOI: 10.33153/glr.v7i2.1283

Abstract

The traditional children’s song entitled Ilir-ilir is predicted to come into existence in the 15th century. It is written in many manuscripts that the composer of this song was Sunan Giri. The song known well up to now has undergone various developments in lyrics, meaning, function and garap. In case of the function, the song which was only sung by children in the past, has developed into, amongst other things, a means of midodareni ritual of Javanese wedding, entertainment, Islamic proselytism, dance accompaniment, consciousness recovery, war motivation, education and so on. In case of garap development, the song which was sung without instrumental accompaniment has developed in various ways, that is, (1) the song is accompanied by gamelan agung rebana and lesung; (2) it is presented as an instrumental song; (3) it is arranged in the form of lancaran, srepeg, ketawang, ladrang; (4) it is arranged in lancar (fast), tanggung (medium-fast), dados (slow), wiled, rangkep rhythmes; (5) it is arranged in slendro and pelog (pentatonic) and even diatonic pitch; (6) it is arranged in patet nem, lima, manyura, and sanga; (7) the lyric which was at first only one pada (couplet) has become three couplets; (8) the lyric has a variety of differences due to needs, situation, the influence of local culture, and the attitude of creative artists. Key words :  ilir-ilir, traditional children’s song, development
RAJA MATARAM DAN PERANANNYA DALAM DUNIA KARAWITAN Rabimin Rabimin
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 6, No 2 (2006)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1705.777 KB) | DOI: 10.33153/keteg.v6i2.589

Abstract

The idea of this article was from the author ~ thought to find out about the values within the Javanese karawitan. Appart from that it is also connected to the careness to nowaday c fenomenon that young generation is careless of those values. They are more interested in the skill ofplaying gamelan instead, wich is relatively easier to do. Through a research on “Serat Till Asrf” by Supardal Hardasukarta, particularly on Asmarandana and Mijil Parts, it is known that they convey the activities of King Adiningrat Anyakrawati in Mataram studying karawitan seriously. The result of the analysis shows that after having failed to expand the kingdom teritory, he realized the importance of karawitan functions and values to Javanese’ lives. To understand deeper meaning of karawitan, he asked Sunan Kalijaga to explain the knowledge of reality within karawitan. He later realized that the knowledge of reality leads to the lesson of good manner as a way of live, both during the 4fe and after the death. The impact of that he then wrote a book called “Sastra Gending” as a part of the Sophisticated Karawitan.Keywords : Meaning of Karawitan.
GENDHING NDADI Musik dalam Angguk Non-Cerita di Kebumen Rabimin Rabimin
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 2, No 1 (2002)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3093.115 KB) | DOI: 10.33153/keteg.v2i1.563

Abstract

This point focuses on the explanation of musicality context that is generated by supernatural creed called ndadiin the Angguk folk art in the villages of Kebumen. It is intended to show the typicality of the musical environment.
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