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KARYA MUSIK BAKISA DI LAPIAK NAN SALAI Alfalah Alfalah
Gelar : Jurnal Seni Budaya Vol 9, No 2 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (680.696 KB) | DOI: 10.33153/glr.v9i2.1387

Abstract

The work, entitled “Bakisa in Lapiak Nan Salai” is presented in order to complete the study in Post- Graduate Program on Art Study and Composition at ISI Padangpanjang. This work was performed on January 1, 2011 in the Auditorium building Bustanoel Arifin Adam ISI Padangpanjang. The idea of this work is the description of the cultural life of the community charge Singgalang Tanah Datar, West Sumatra Province are always equal and balanced between earthly life and the hereafter. The balance can be seen in economic activity and religious traditions that are still patterned. In general, people Singgalang work in the fields or in the fields and mangilang taboo. From these observations, the phenomenon raised performer as basic starting point of departure or the creation of composition “in Lapiak Nan Bakisa Salai”. were poured through both sound sources in the form of non-traditional instruments and traditions. Source of creation of this work are artt works and some of the paper, namely: Work of Elizar Koto “ Dialog Without Theme” in 2000 (the writer has role as one of the musicians), “Encari Alternative 1”, 1994 and “Water”, 1996 . The work of Pande Made Sukerta “If Music In ....”, in 2008, the work of M. Halim “Kraying Samail”, in 2007, by I Wayan Sadra titled “Drone”, in 2008, and works Asril Mukhtar titled “Genta”, in 2010. In addition there are several posts as a source of study, namely: description of work tasks Akhitr M. Halim titled “Fanatic Bagurau Darek Minang people,” Mukhtar Asril entitled “Saluang and sang” , Suka Harjana’s writings titled “The writing of Contemporary Music, past and now, and the writing of Y. Sumandio Hadiyo Hadi ‘The Art in Religion Ritual’. The preparation of this work done the last ten stage works approved by the supervisor to be submitted as a final exam. The work is divided into 3 (three) parts, each of which has a different atmosphere, namely: the first part, has the atmosphere of peace, the second part of the atmosphere has faltered, and the third had a persistent atmosphere. Key words : “Bakisa di Lapiak Nan Salai”, Singgalang.
GHGUMPIAN KOMPOSISI MUSIK DENGAN PENDEKATAN TRADISI Ahmad Wanda; Ediwar Ediwar; Alfalah Alfalah
Laga-Laga : Jurnal Seni Pertunjukan Vol 5, No 1 (2019): Laga-Laga : Jurnal Seni Pertunjukan
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/lg.v5i1.772

Abstract

Karya ini bersumber dari kesenian gamolan pekhing yang terdapat di desa Sekala Brak, Kabupaten Lampung Barat. Gamolan pekhing ini merupakan sebuah instrumen tunggal yang tergolong ke dalam perkusi melodis. Gamolan pekhing ini mempunyai sebuah repertoar lagu yang berjudul Tabuh Jakhang Kenali, keunikan dari tabuhan ini mempunyai ritme yang sama pada melodi pertama dan ketiga. Pada karya ini, pengkarya menggarap bentuk dasar ritme tersebut ke dalam komposisi musik dengan pendekatan tradisi. Dalam penggarapannya, bentuk dasar ritme ini dikembangkan ke dalam bentuk pengembangan ritme yang dihadirkan ke dalam bentuk melodi. Melodi-melodi yang dihasilkan dari pengembangan ini merupakan hasil kerja kreatif pengkarya dalam mengembangkan materi dasar yang telah ada menjadi sebuah materi baru dan menggarapnya sesuai dengan imajinasi pengkarya