Article Per Year (5 Year)
p-Index From 2021 - 2026
0.23
P-Index
This Author published in this journals
All Journal Greget
Daryono Daryono
Seni Tari, Institut Seni Indonesia Surakarta
Arts Humanities

Published : 2 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search

 1 
TRANSFORMASI RELIEF CANDI PRAMBANAN DALAM KARYA TUBUH RITUS TUBUH OLEH ANGGONO KUSUMO WIBOWO Siska Dwi Purwanti; Daryono Daryono
Greget Vol 19, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v19i1.3186

Abstract

Transformation is a process of changing form, nature, and so on into new forms without leaving the values that existed in the previous culture. The process of transformation always produces elements of novelty, both in terms of style, taste, and meaning even at different levels of change. Transformation in art does not only occur in similar arts. Ancient relics, for example, as one form of art can be a starting point to be interpreted into visual expression in contemporary art, including dance. Tubuh Ritus Tubuh is one of the dance works which is a form of transformation of the Prambanan Temple relief. This study tries to uncover the allegations of the  transformation of the Prambanan temple reliefs that can be observed on Tubuh Ritus Tubuh dance presentation. The problem of transformation is examined using the theory of change expressed by Lorens Bagus. The participatory research method carried out by the author is able to uncover the form of transformation found in certain parts of the dance presentation. Keywords: transformation, relief, Prambanan Temple, Tubuh Ritus Tubuh.
BENTUK PERTUNJUKAN WAYANG BOCAH SRIKANDHI KRIDHA KARYA JONET SRI KUNCORO Chrisnar Bagas Pamungkas; Daryono Daryono
Greget Vol. 20 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v20i1.4032

Abstract

The Wayang Bocah Srikandhi Kridha show was a dramatical production directed by Jonet Sri Kuncoro that displayed in 36th anniversary celebration of Soerya Soemirat dance studio. The problem with study is how the processing and appearance of the Srikandhi Kridha by Jonet Sri Kuncoro. Based on objects studied, this study uses a qualitative method with a process and shape approach. To find out about the garging process use the thinking of Rahayu Supanggah that include of materi garap, penggarap, sarana garap, perabot garap, penentu garap, pertimbangan garap. Discuss problem forms using concept forms by Rustopo in Sri Rochana Widyastutieningrum about elements that include of structure of a presentation, variety of motion, dance music, makeup and clothing, division of a single dancer and group, dance floor, property, and stage pattern. Studies have shown that a Srikandhi Kridha feature in a dramatic dialogue with the genre of Wayang Orang (bocah), one that concerns materi garap, penggarap, sarana garap, perabot garap, penentu garap, pertimbangan garap. The Wayang Bocah Srikandhi Kridha show set out from director’s concern for the child's world understanding of the puppet story. From reflection of his thought, Jonet took the play of the story with Srikandhi Kridha. Played by students of Soerya Soemirat dance studio. The shape of a Wayang Bocah Srikandhi Kridha show can be seen from all the performance being made into a solid outfit.Keywords: Wayang Bocah, garap, and form.
Co-Authors Chrisnar Bagas Pamungkas Siska Dwi Purwanti