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Hadi Subagyo
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Arts Humanities

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BENTUK DAN MAKNA SIMBOLIK TARI SEBLANG DI DESA OLEHSARI KABUPATEN BANYUWANGI JAWA TIMUR Hadi Subagyo
Greget Vol 2, No 2 (2000)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3695.225 KB) | DOI: 10.33153/grt.v2i2.249

Abstract

This (is] Study Article [is] more focused (by) (at) Seblang dance in countryside ritual ceremony [in] Olehsari district (ofJ executed Amaryllis Banyuwangi sub-pmvince one year once. This dance function as symbolic communications [among/bet ween] perpetrat or with audience, perpet rator with perpetrator, and also audience with audience, so that in show activity or this Seblang ceremony happened a social interaction, and even become symbolic communications (among/between] society with its ancestor, so that give meaning which enough komplek in life Keyword: Seblang, ritual.
Visualisasi Garap Cerita dan Struktur dalam Tari Wireng di Mangkunegaran Hadi Subagyo
Greget Vol 9, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3134.891 KB) | DOI: 10.33153/grt.v9i1.389

Abstract

Broadly speaking, the Wireng dance genre from the Mangkunegaran can be divided into three groups or categories according to the source of the story presented, namely Wireng Purwa, Wireng Madya, and Wireng Panji or Gedhog. From a visual point of view, the costumes characterize each of these categories of performance. The visualization of the particular style of Wireng dance uses structures known as Maju Beksan, Beksan, and Mundur Beksan. In addition, the structure of the wireng dance is formed through the composition of the music and the arrangement of the dance patterns.Keywords: Wireng, story, and structure.
Visualisasi Garap Gerak dan Karakter dalam Tari Wireng di Mangkunegaran Hadi Subagyo
Greget Vol 9, No 2 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2678.147 KB) | DOI: 10.33153/grt.v9i2.419

Abstract

The performance of the wireng dance genre is the manifestation of the entirety of a system which is a complexity of treatment of various visual components. The visual treatment of movement and character is the main component of the wireng genre. The treatment of movement and character, which includes the qualities of the movement and character of the strong male dance, refined male dance, and female dance styles in the wireng dance, displays a wealth of vocabulary, technique, and form. In addition, the aesthetical values contained in the dance create an impression which enriches the spiritual experience of the audience. The visual treatment of movement and character also contains an important and serious message for the life and developmentof the wireng dance in the Mangkunegaran Palace. Keywords : Wireng dance, treatment, movement and character.
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