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Toto Sudarto
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Arts Humanities

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TOPENG BABAKAN Toto Sudarto
Greget Vol 8, No 1 (2009)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (5296.414 KB) | DOI: 10.33153/grt.v8i1.357

Abstract

Throughout the course of its journey, topeng babakan Cirebon has become a milestone, which has coloured the course of the history of dance in West Java. This research discovers the changes and developments in topeng babakan from 1900 to 1990. The study of the subject of this tesis uses a historical approach, with the aid of social and cultural studies. Topeng Babakan is a performing folk art, the performance of which is still related to traditional ceremony such as ngunjung, mapag sri, ngarot, and so on. It spread through West Java, begining as a a traveling show or bebarang (troupe of performing beggars) at the start of the 20th century. This drew the attention of the aristocrats or menak, to learn the art of Cirebon masked theater. In it subsequent development, this dance greatly infuenced other dance forms in the Priangan region and in West Java in general. The rise and fall of topeng babakan performance activities was largely infuenced by developments in siciety, ehich constantly changed with the developments of the age, and developments in information technology and communication.Keyword : topeng babakan, bebarang, changes, and developments
KONSEP BIWANWISALUS DALAM TARI KURSUS Toto Sudarto
Greget Vol 1, No 2 (2002)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4808.744 KB) | DOI: 10.33153/grt.v1i2.227

Abstract

West Java, dance in recognized by Sudanese dance, one kind of Sudanese in Tan Kursus (Course Dance). Tan Kursus develops from Tayub dance which co//aborted Topeng Cirebon. With in developing of Tan Kursus seems performing art for mans. There are five matters of criteria must be attended for rich of perfectly level for the dancers in Sudanese dance.I would like to study as specially the criteria of danser in kind of Tan Kursus. The criteria are acronym of Biwanwisalus (bisa, wanda, wirahma, sari~ alus). A/us/body coordination: in general skill uses all the body parts, othe,wise to run up the movement of the dance. Wanda/suitable of realizer: the dance structure of reaching of types suitable by the dance with runing up. The type are including costume, make up and dancer body. Wirahma/rasa irama: in on time to cuny of movements rhythm 0/though on time how to understand to ward dance music. Sari/penghayatan: deep understanding of thema and impression for etting energy will accure for the dance to the trough out to became impression wich effected by outsiderhnterpretation ability. Alus/aliran gerak: is throwing down of movement from level to following level withuot accunng difficulty.Key word: Biwanwisalus, Kursus Dance, changes, and developments.
Topeng Cirebon Dalam Teori Fungsionalisme Toto Sudarto
Greget Vol 12, No 1 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2799.468 KB) | DOI: 10.33153/grt.v12i1.479

Abstract

The word ‘function’ has been elaborated in many aspects. In every single context it also has a different meaning. Despite having a specific meaning, the meaning of the word ‘function’ differs from one discipline to another. A.R. Redcliffe Brown and Bronislow K. Malinowski are the pioneers of the theory of function amongst anthropologists. Their assumption, which is based on their theoretical constructs related to social and cultural integration, has an independent system and consists of every single part or element, since every element or part is not autonomous but rather is connected to and even dependent on each other. On the other hand, every element or part of the system can exist because it is needed, or experiences an interdependency or inherence not by accident, and its whole appearance belongs entirely to the orientation of a living system. The changing of each element will have an impact on other elements. The Cirebonese masked dance can be studied from several disciplines. In this article, the Cirebonese masked dance is examined using a theory of function, especially functionalism of anthropology. In addition the dance is assumed to be a system of performance which consists of various elements that are related to each other. This article on the Cirebonese masked dance will explore its dance symbols through the mask, in relation to its religious, educational, socio-political, economic, bureaucratic, and aesthetical elements.Keywords : function, theory of function, Cirebonese masked dance, functionalism. 
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