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All Journal Panggung Gelar : Jurnal Seni Budaya Greget Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Panggung
Maryono - -
Seni Tari, Institut Seni Indonesia Surakarta
Arts Humanities Education

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MAKNA HOLISTIK TARI KETHÈK OGLÈNG KARYA GUNTUR TRI KUNCORO Firdauzhi Nuzulla Mustika Prismadianto; Maryono Maryono
Greget Vol 20, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v20i2.4135

Abstract

This writing aims to reveal the meaning of the Kethek Ogleng dance by Guntur Tri Kuncoro by examining the problems formulated, namely the concept of the emergence of the Kethek Ogleng dance, the form of the Kethek Ogleng dance, the audience's response, and the meaning of the Kethek Ogleng dance by Guntur Tri Kuncoro. The analysis uses a holistic art criticism approach that is based on three main factors, namely genetics related to the concept of the appearance of the work, objective in the form of works and affective as a response or emotional response of the audience who are all sources of value flow. The form of writing is qualitative with data collection strategies through: observation, interviews and literature study. The results show that holistically the Kethèk Oglèng dance is meaningful as an entertainment medium, as a promotional event for cultural tourism, and is expected to be used as a means of student education and as an icon or identity of the City of Kediri.
KONEKSITAS TARI DAN MUSIK PADA TARI KELANA GAYA SURAKARTA Maryono Maryono
Greget Vol. 20 No. 1 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v20i1.4030

Abstract

Klana Dance Surakarta style there are at least three main versions that can be traced, namely Kelana dance version S. Ngaliman, version of S.Maridi, and Version Sunarno Purwo Lelono. The three versions of Kelana dance in the groove do not have a prominent difference, but there are quite strong differences and very principles, especially in pacak and wiled sustainability that I observed from 1979 to the 2010s. The connection of dance and music in Surakarta Style Kelana dance shows the existence of a blend and harmony formed from the role of music to dance that serves as a pointer of content, illustration/nglambari, membungkus/mungkus, and nyawiji so as to form a Kelana dance Surakarta Style that is dashing, sigrak, spirit, firm and authoritative. The basic principle that each element in Kelana dance is a visual form that is artistic has shown coherence between elements and total connection so that it can function as a means of expression of the artist steadily.Keywords: music and Kelana dance
STUDI KELAYAKAN TARI LEPAS REYOG PONOROGO SEBAGAI MODEL PENDIDIKAN DASAR DAN MENENGAH DI KABUPATEN PONOROGO M., Maryono
Greget Vol 14, No 2 (2015)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (894.692 KB) | DOI: 10.33153/grt.v14i2.1707

Abstract

To day, the problem that we get is lower appreciation of youth as next generation towardtheir culture themselves. They very like, familiar and feel more as ancient tradition, out of dateand no prestige. Consequently, since people not be oriented any more to values of Javanese culture,costum, and leave the art containing adi luhung values, their attitude turn into brutal, emotional, do not have ashed culture ang less respect of older. Basically, our society life has experienced an apprehensive moral degradation. Therefore, we recently need art education to realizecharacter building among student, giving appreciation and understanding of art for them as nextgeneration. Using art education of reyog based on norms, values, ethics, and aesthetic of cultureenvironment containing adi luhung values, student character as leader generation with nationspirit and Indonesian characteristic will be built. Reyog is dance drama. To apply it to be art local subject matter, it needs for sufficientpackage that devide into some independent dance: Warok, Jathilan, Bujangganong, Kelana Sewandana, and dhadhak Merak. These dances are adapted with curricula guidance from National Education of Ponorogo. Elementery student are demanded to recognize and understandabout basic manner of reyog, however, high shool student are hoped know about basic manner andpresent independent dance of reyog based on valid rule in evaluation creteria of reyog.Keywords: education, local subject matter, reyog, and sufficiency.
FRAGMEN TARI SUGRIWA SUBALI KARYA DIDIK BAMBANG WAHYUDI (TINJAUAN ESTETIK) Annisa Ayu Cahyani; Maryono Maryono
Greget Vol 19, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v19i1.3181

Abstract

Research entitled Sugriwa Subali Dance Fragment by Didik Bambang Wahyudi (Aesthetic Review) is aim to uncover the meaning beauty of Sugriwa Subali Dance Fragment by describes and explains abaout: (1) the shape or sensation of Sugriwa Subali Dance Fragment which cover: theme, motion, expression, floor patterns, make-up, clothing, property and dance music/musical instruments, (2) to explain the concepts or ideas in the Sugriwa Subali Dance Fragment, (3) to explain the aestetic symbols in the Sugriwa Subali Dance Fragment, and (4)audience responses include: the responses of experts, dancers, and spectator. The four problems are examined with aestetic theory De Witt H Parker. In its application to analyze shapes as sensation expressed in the work using performance art theory according to Maryono. Analysis of consepts or idea in the work uses a pragmatic approach with Kreidler’s speech act theory. The research is qualitatively by collecting data or information through the stage of presentingdance work (re-production), literature study, interviews with selected speakers, and observation of the Sugriwa Subali Dance Fragment. The result was: the dance work is based on sensations, concepts or ideas, symbols, and the responses of experts, dancers, and spectator aestetically. Sugriwa Subali Dance Fragement is the masterpiece of the battle between Sugriwa and Subali fight over to Dewi Tara and the funcions as an aesthetic entertainment and as a symbol of strunggle in obtaining a happiness.Keywords: Fragment of Sugriwa Subali Dance, aesthetic.
Co-Authors Annisa Ayu Cahyani Basnendar Herry Prilosadoso Firdauzhi Nuzulla Mustika Prismadianto Midiyanto Midiyanto Sunardi Veronika Kristanti Putri Laksmi