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F. Hari Mulyatno
Institut Seni Indonesia (ISI) Surakarta
Arts Humanities

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BENTUK DAN FUNGSI TARI MAESWARA SWATANTRA NJUK LADANG DI KABUPATEN NGANJUK Delima Indra Prasta; F. Hari Mulyatno
Greget Vol 18, No 1 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1051.058 KB) | DOI: 10.33153/grt.v18i1.2639

Abstract

AbstractMaeswara Swatantra Anjuk Ladang Dance is a new creation dance created by Didik Purwanto in Nganjuk regency. The dance was rushed by 7 female dancers using the Bokor property. This research will essentially reveal about the form and function of the Maeswara Swatantra Anjuk Ladang dance in Nganjuk district. The research uses foundations of theory to dissect Problem forms used Sri Rochana Widyastutieningrum concept about the physical form and the form of the reveal. To dissect function problems, this study uses function theory Soedarsono on the function of the show is divided into two namely function Primary and secondary functions. The primary function is divided into 3 namely (1) As a ritual means, (2) as a means of personal entertainment and (as Aesthetic presentation facilities. Secondary functions are such as education, propaganda, Legation, and Identity of an area. The methods used in this study Qualitative method with an ethnokoreological approach through various stages of observation, data collection and data writing. The results of this study showed that the Maeswara Swatantra Anjuk Ladang Dance is a themed group dance that serves as a welcome guest as well as the regional imaging of Nganjuk regency.Keywords: forms, functions, dance Maeswara Swatantra Anjuk Ladang.
TARI BANTENGAN DI DUSUN RANDEGAN, DESA JATIREJO, KABUPATEN MOJOKERTO Mohammad Choerul Anam; F. Hari Mulyatno
Greget Vol 18, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v18i2.2872

Abstract

Bantengan Dance is a dance depicting bull animals at war. The name of the Bantengan is taken because it adjusts to the bull animal as the main character in the Bantengan presentation. Based on the explanation above, the issue is formulated Related to the following problems: 1. How is the development of Bantengan dance at Dususn Randegan, Jatirejo village, Mojokerto Regency?, 2. How to form a Bantengan dance in the hamlet of Randegan, Jatirejo village in Mojokerto Regency?. This writing uses Sri Rochana’s opinion Widyastutieningrum that the development is an effort to package and make renewal of better direction and give new breath to the existing arts. The target of research is the issues related to the problems formulated above. This writing uses qualitative research methods that focus on the peculiarities and specificity of the object. This writing data is gathered with library studies, field observations, interviews, documentation, data analysis techniques. Results showed that the development of the form of dance presentation Bantengan want to show the presentation becomes more interesting and still enthused by the supporting community. The development of the Bantengan dance form is influenced by internal factors and external factors. Internal factors are the creativity of artists and leaders. External factors are government, technological developments, people’s outreach, social conditions and other performing arts competition. Keywords: Bantengan dance, development.
Co-Authors Delima Indra Prasta Mohammad Choerul Anam