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All Journal Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Ananto Sabdo Aji
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SKEMA MANDHÊG DALAM STRUKTUR GENDHING GAYA SURAKARTA Ananto Sabdo Aji
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 20, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v20i1.3541

Abstract

This thesis reveals mandhêg as one of the local concepts of Javanese music, especially the Surakarta style. Several issues to be explored are related to the mandhêg scheme in each musical structure. The data collection was carried out by literature study, interviews, and also as a participant observer. The analysis is carried out by reinterpreting the thoughts and experience of the pêngrawit through pragmatic reality. The interpretation uses interpretation method and garap analysis. The explanation and getting conclusions are carried out by the inductive method. Each mandhêg structure has a different mandhêg location or position, there is a mandhêg location that has become an optional convention or standard, there is also a mandhêg gawan which must be presented, pengendang must be able to know the location of the mandhêg in each piece he is going to present. The main factor is the empirical factor of a controller to be able to determine the mandhêg position of each musical structure.
FUNGSI KESENIAN TONGKIR PADA PAGUYUBAN SENI TONGKIR SELERA HATI DI DESA NGARINGAN KABUPATEN BLITAR Dinda Rahayu; Ananto Sabdo Aji
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 25 No. 1 (2025): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v25i1.7650

Abstract

The research titled “The Function of Tongkir Art in the Selera Hati Tongkir Art Community in Ngaringan Village” is motivated by the researcher’s interest in the functional aspects of tongkir art, which remains preserved within the community. This art form reflects strong social dynamics, where its social functions emerge through cultural interaction and musical innovation, particularly through the integration of gamelan instruments. Thepurpose of this study is to describe and analyze the functions of tongkir art within the socio-cultural context of thelocal society. The research employs a qualitative approach with data collection techniques including observation, interviews, and documentation. The functions of the art are analyzed using Allan P. Merriam’s theoretical framework, which encompasses entertainment, communication, and cultural preservation functions. The results show that tongkir art serves as a means of entertainment, a medium for social and expressive communication, and a tool for thetransmission of cultural values. The Selera Hati Tongkir Art Community plays a key role in maintaining the existence and continuity of tongkir art in Blitar Regency.
Co-Authors Dinda Rahayu