Danis Sugiyanto
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PROSES KREATIF ANTONIUS WAHYUDI SUTRISNO SEBAGAI KOMPOSER GAMELAN Ardi Gunawan; Danis Sugiyanto
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 14, No 1 (2014)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (361.874 KB) | DOI: 10.33153/keteg.v14i1.657

Abstract

The creativity of Antonius Wahyudi Sutrisno (Dedek) in creating the composition be an interesting thing for the author to be further investigated. This research was focused on the factors behind Dedek in finding creative ideas. Dedek works based on tradition reiterates that he uses the idiom of tradition in his works. The idioms used a series of structures, motifs or patterns, and techniques. From the idiom invention, the author observed the tradition one, of such pathet space, instruments (gamelan), and a model of the work, which all is associated with the science of Javanese gamelan. Through pathet space, the author assume that Dedek has a unique in terms of the selection range of tones, although, that is uncommonly performed in tradition karawitan. The exploration of the instruments and methods in use in Dedek works, gamelan instruments perceived authors have character and distinctive characteristics. While on the model of Dedek composition is not far from the tradition of serving space and schema structure that resembles a traditional convention. This research reviewed the more clearly about the characters of the existing tradition in Dedek works that came from the tradition idioms.Keywords: creativity, karawitan composition, tradition idioms
PERKEMBANGAN MUSIK KERONCONG DI RICHMOND VIRGINIA AMERIKA SERIKAT Danis Sugiyanto; Nanang Bayu Aji
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 19, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1268.363 KB) | DOI: 10.33153/keteg.v19i2.3080

Abstract

Keroncong music is music that has an open nature, this can be seen from the history of music development which always receives various developments both from outside the music Keroncong also always develops developments from within in terms of instrumentation and orchestration. Keroncong music not only flourishes and develops in the archipelago but also grows abroad as happened in the United States. The Keroncong Orchestra (OK) Rumput from Richmond Virginia is a group that is steadly spreading the keroncong music culture that is viral in America and the world. Keroncong music is not only studied musically but also forms the basis of cultural learning for its supporters. The concept of collaboration and philosophy in keroncong music helps strengthen world friendship through the humanitarian field.Keywords: keroncong music development, keroncong Rumput orchestra.