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All Journal Benchmarking: Jurnal Manajemen Pendidikan Islam Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Darno Darno
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Humanities Education Social Sciences

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MANAJEMEN MUTU PENDIDIKAN ISLAM Darno Darno
Benchmarking: Jurnal Manajemen Pendidikan Islam Vol 2, No 2 (2018): BENCHMARKING
Publisher : Universitas Islam Negeri (UIN) Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (367.293 KB) | DOI: 10.30821/benchmarking.v2i2.6925

Abstract

Lembaga madrasah mempunyai andil besar dalam pergerakan arus perubahan sosialIndonesia. Keberhasilannya sebagai sebuah institusi pendidikan Islam menegaskandiri sebagai entitas yang ikut mencerdaskan bangsa. Keberhasilan pesantren yangtelah banyak melahirkan tokoh-tokoh agama, pejuang serta pemimpin masyarakat,merupakan bukti bahwa pesantren berperan banyak dalam membangun Indonesia.Perkembangan madrasah/pesantren saat ini tidaklah lepas dari adanya sistempendidikan yang jelas dan kurikulum yang terencana dengan baik. Karenakurikulum merupakan alat yang sangat penting dalam keberhasilan suatupendidikan, maka perlu adanya perencanaan dalam penerapannya, tanpa adanyakurikulum yang baik dan tepat, akan sulit untuk mencapai semua tujuan dansasaran pendidikan yang telah dicita-citakan. Untuk itu, manajemen mutupendidikan perlu dirumuskan secara matang agar mampu menghasilkan outputpendidikan yang berkualitas.
"NYLlNGUK" Darno Darno
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 4 No. 1 (2004)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v4i1.583

Abstract

"Nylinguk" is a musical composition, taken from the compositional  concept of bamboo music (calung), which originates from traditional  sources found in the residency of Banyumas during the era of the  lengger art form, from the 1970s until the present day. The existence  of lengger is reflected in the form of a performance of lengger calung,  using a variety of musical approaches, such as Sunda, Cirebon,  Surakarta, and Banyumas style karawitan.Key words: Tradition, Inovation, Progressive
REVITALISASI GENDING-GENDING BANVUMAS DALAM GAMELAN CALUNG SEBUAH TAWARAN KARYASENI Darno Darno
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 6 No. 2 (2006)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v6i2.603

Abstract

This work is a bid to revitalize traditional Banyumas compositions for calung gamelan, an effort to enable the re-emergence of a traditional art form which has recently been deemed to have become extinct. The musical works are the composers attempt, in so far as is possible, to interpret and rediscover the depth of potential of calung and traditional Banyumas compositions in an innovative way. Traditional Banyumas compositions for calung which are typically performed in a careful, static manner, both rhythmically and melodically, are presented here in a more energetic and varied way. Various dynamic processes such as irama [rhythym], tempo, melodic contour and register are explored as well as using more established and transparent techniques. Through these processes, the composer makes a deliberate effort to create a system whereby other musicians can easily learn and imitate the techniques presented in these works.Keywords : Revitalitation, Calung, Alternative
AKTUALISASI GURITAN DALAM KARAWITAN GAGRAG BANYUMAS Darno Darno
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 8 No. 1 (2008)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v8i1.615

Abstract

The essence of guritan is a poetry, it is a kind of belles-lettres that aesthetic’s consideration with engaging more strongly in word’s selection, language’s style, rhyme, and poetric meter. In a traditionally manner, Banyumas’ society have known the poetry’s musicality, by getting san a guritan in musical arrangement called gendhing. The existence of guritan in a karawitan gagrag Banyumas have experienced more than belles-lettres. In which it has a aesthetic expression’s process engaging musical media. Else in which engaged to the cultural background, individual’s experience, and emotional contact’s intensity between individual whose became a part of musical’s garap process. Keywords : actualization, guritan, karawitan gagrag Banyumas  
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