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Muriah Budiarti
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Sindhenan Banyumasan Muriah Budiarti
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 8, No 1 (2008)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3976.269 KB) | DOI: 10.33153/keteg.v8i1.619

Abstract

Sindhenan is a vocal material in which many elements must be processed and translated in to musical’s language, the elements are songs and texts. In the Gendhings’ Banyumasan ‘s Sindhenan there are two groups call Sindhenan Umum and Sindhenan Khusus. Sindhenan in Banyumas’ gendings have an relationship elements, first in text elements called wangsalan, abon-abon/isen-isen, parikan, senggakan, macapat, sekar ageng, sekar tengahan and sekar bebas. And the second is song’s elements, there are irama, laras, cengkok, and pathel. in the Banyumas’ art workers usually found the term to call garap technique which have Banyumas ‘style, and for the Surakarta and Yogyakarta’s style call garap wetanan, and Sundanesse style call kulonan  Keyword : Sindhenan and the elements which is to build sindhenan 
KREATIVITAS SURYATI DALAM MENYAJIKAN CENGKOK SINDHENAN BANYUMASAN Muriah Budiarti; Siswati Siswati
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 19, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1304.943 KB) | DOI: 10.33153/keteg.v19i2.3076

Abstract

This research topic is raising about Suryati as one of the Banyumas sinden who contributed to the development of Banyumas style of music. Suryati’s artistic process is formed by several factors, Suryati’s family environment support helped his success in finding the soul of sindhen in himself. that are The Suryati’s selfishness and her persistence which are very important factors that shaped her creativity. So that her styles and “anggit” that Suryati brought were the essence of her artistic environment. Suryati’s character is identical with prenes, meticulous, actualized titen into suryati Sindhenan style twists. So people who hear Suryati’s twisted can guess that it is a form of Suryati’s twisted characteristic. With the ethnographic method, several factors forming the creativity of Suryati’s artistic style will be explained. One of the results of Suryati’s efforts was to introduce “gendhing Banyumasan” in Java and its surrounding area.Keywords: Sinden, karawitan, Banyumasan, Suryati, ethnography.
Co-Authors Siswati Siswati