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All Journal Sorai: Jurnal Pengkajian dan Penciptaan Musik Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Teti Darlenis
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Arts Humanities

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MENGENAL MUSIK TRADISIONAL TALEMPONG PACIK DI MINANGKABAU Teti Darlenis
Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol 6, No 2 (2006)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1298.721 KB) | DOI: 10.33153/keteg.v6i2.593

Abstract

Minangkabau society have several kinds of talempong ensemble music, such as Talempong Pacik, Talempong Unggan, Talempong Batu, Talempong Jao, Talempong Batuang, Talempong Sambilu, and Talempong Kayu, also other kinds of talempong. Among the ensembles, talempong pacik is the most popular It grows and is developed all over the countries, and becomes a musical identity of the society. The way ofplaying the instruments is by holding them, that ~ why it is called pacik, literally means being held. Every group of talempong ensemble have thefr own repertoire of songs, which is influenced by the back ground of the local composer And therefore it becomes the pride of the country and functions to entertain the society in ritual and social activities.Keyword: Talempong Pacik, interlocking technic, nagari
CREATIVITY AND THE ROLE OF NINIEK DARYONAGORO IN UTILIZING USED GOODS INTO MUSIC IN SURAKARTA Anggara, Refa Tri; Teti Darlenis
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 18 No. 1 (2025): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v18i1.7579

Abstract

The research entitled "Creativity and Niniek's Role in Utilizing Used Goods into Music in Surakarta" is based on the phenomenon of the emergence of sounds from used goods. Innovation in engineering used goods and arrangement techniques carried out by Niniek are interesting aspects to be studied further. This research uses a qualitative method with a phenomenological approach, with Niniek S.M Daryonagoro as the main subject. To answer the formulation of the problem, this study utilizes Rhodes 4P creativity theory (person, process, press, and product) and the concept of individual roles according to Setyadi. The final stage after going through the analysis found several conclusions. Niniek's background growing up in an art environment played an important role in encouraging her creativity in developing music based on used goods. Niniek's consistency and creativity are reflected in the historical journey of the presence of used goods music. In addition, Niniek's role has been proven to be able to increase the interest of students and the Surakarta community in music, as well as providing indirect education regarding the use of used goods as a music medium through the performances held.
Co-Authors Anggara, Refa Tri