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All Journal Lakon Jurnal Pengkajian & Penciptaan Wayang
Sri Harti
Staf Pengajar Jurusan Pedalangan Fak. Seni Pertunjukan ISI Surakarta
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Sasmita Gendhingdalam Pakeliran: Dulu Dan Kini Sri Harti
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol 16, No 2 (2019)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v16i2.3808

Abstract

Sasmita gendhing is a series of words that refer to the name of the gendhing as the accompaniment of Wayang Kulit Purwa. When the wayang kulit performance refers to the overnight performance of the palace pakeliran genre, sasmita gendhing becomes a bridge between the puppeteer and the pengrawit to sound the gendhing to support certain scenes. In its development, the existence of the sasmita gendhing slowly declined, even most of the puppeteers no longer used the sasmita gendhing. The text-context approach from Heddy Shri Ahimsa is used to reveal the variety of sasmita gendhings and to find the causes for the decline in the use of sasmita gendhing. The result of the study shows the various forms of sasmita gendhing including figurative words, wangsalan, and cangkriman. Meanwhile, the cause of the decline in the use of sasmita gendhing is suspected to be due to the change of image, the free structure of the scenes, the free choice of lakon, and cross style of pakeliran.
Penyusunan Lakon Sudarsana Labuh Sebagai Media Penyampai Nilai-nilai Kemanusiaan Pranowo Aryo Widyastoto; Sri Harti
Lakon Jurnal Pengkajian & Penciptaan Wayang Vol. 20 No. 2 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/lakon.v20i2.5862

Abstract

The article with the title Penyusunan Lakon Sudarsana Labuh Sebagai Media Penyampai Nilai-Nilai Kemanusiaan (Preparation of Lakon Sudarsana Labuh As A Medium For Transmitting Human Values) is an effort to explore the human values contained in the character Sudarsana as outlined in the wayang madya performance. This research uses the pakeliran padat concept approach and the theory of sanggit lakon, the idea of Sugeng Nugroho, which is used in the creation of lakon “Sudarsana Labuh”. Sudarsana, the main character in this work, is one of the children of Parikesit who lives with Begawan Druwasa, his grandfather, in the Jatipitu hermitage. One day he wanted to serve the country but experienced various problems that arose both from within and outside himself. Sudarsana’s efforts in resolving these various problems ultimately became a ground for interpretation to explore human values, in this case selfless sacrifice. The preparation of this work went through 3 stages, namely orientation, observation and exploration. Orientation includes searching for information both verbally and in writing. Observation is an in-depth observation carried out by the writer to adjust the theme, main idea and lakon, and exploration, namely pouring everything obtained in the previous stages into a script and wayang performance. The results of the observations are (1) Sudarsana’s sincere desire to defend the Yawastina State, (2) Sudarsana’s sacrifice in protecting the state which is symbolized by saving the king from danger, (3) Sudarsana’s motivation to defend the state.
Co-Authors Pranowo Aryo Widyastoto