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All Journal Abdi Seni Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya Social, Humanities, and Educational Studies (SHEs): Conference Series
Sutriyanto Sutriyanto
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Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Klasikisme Wayang Kulit Purwa Gaya Keraton Yogyakarta Sutriyanto Sutriyanto
Ornamen Vol 7, No 2 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (817.907 KB) | DOI: 10.33153/ornamen.v7i2.991

Abstract

Wayang Kulit purwa is an original product of Indonesia culturewhich develops in accordance with the rise and fall of the kingdoms inJava Island. It has tremendous influence towards the development ofart and culture in our homeland. It was initiated by the Giyanti treatyin 1755 which split Mataram kingdom into two and it also affect thedevelopment of the wayang which goes hand-in hand with style improvementon art works. History exP.Iains that the wayang located inkeraton Yogyakarta is the legacy of several provious kings in Mataramkingdom. Sultan Hamengku Buwana I using his authority and attentiontowards arts and culture, with no exception to wayang kulit pUiwa. Succeededin bringing it to his new palace, which is in keraton KasultananYogyakarta. The development of the Yogyakarta-styled wayang inkeraton Yogyakarta always refers to the previous collection of wayangwhich is usually called kanjeng kyai, so does the wayang developed inthe keraton Surakarta. Eventually, the Yogyakarta styled wayang purwapreserves the previous style more. Which is popularly known as classicstyle, while the Surakarta styled wayang kulit purwa has shown somechanges and development from the exsiting one and it is called romanticclassic style. it is reflected from the visualization of the wayang byanalyzing the implication of the crafts shape and the use of the colorsare more striking and varying.Keyword: wayang kulit, purwa, style
KAJIAN VISUAL BATIK HOKOKAI PEKALONGAN MOTIF LERENG, BUNGA DAN KUPU Sutriyanto Sutriyanto; Veronika Kristanti PL
Ornamen Vol 11, No 2 (2014)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2149.437 KB) | DOI: 10.33153/ornamen.v11i2.1073

Abstract

Indonesia as the batik center of the world, where the one of them is Pekalongan city in the north coast of thejava island that famed with batik product. Furthermore, Pekalongan is also famed with the openess of influencefrom outside and able to catch out the sesitiveness of social change which embodied in an batik artisticwhether certain patterns and motifs, especially during the Japanese occupation. Japanese nation is a nationthat known as a nation which uphold the arts and culture by nature, where it is visible in Hokokai batik motifthat growing in Pekalongan. Lereng, Bunga, dan Kupu-kupu motifs are reflection from the nature of thatcountry. The emergence of that motif is clearly has a logical and philosophical reasons that those existencedominate the Hokokai batik motif. Besides having a high level of complexity, the Hokokai batik motif alsohas the characteristic of very bright colouration which turn that motif unique. Nowadays, that motif become amainstay of Pekalongan city as high class batik that has own certain market.Keywords: Batik, Motif, Pekalongan
Eksotisme Dari Loro Blonyo Sutriyanto Sutriyanto
Ornamen Vol 7, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4285.695 KB) | DOI: 10.33153/ornamen.v7i1.931

Abstract

Loro blonyo are wooden sculptures that resemble a pair of    wed­ding using Java customary fashion, sitting cross-legged position. Often placed beside the statue of loro blonyo right and left door senthong is a room used for meditation (meditation) or pray to God Almighty Loro blonyo presence in our lives was a symbol of hope that bring prosperity fertile life. In the development of this sculpture not only be made by us­  ing media of wood but use ceramic media, gibsum and so forth. Even now its experience deformatif (witty) which has a function that is shifted from its original function. Whatever the media and shape loro blonyo has an element of high-value fine art.  Keyword: loro blonyo, sculpture, symbol, Jawa, art
Hasil Belajar Siswa Pada Materi Energi Alternatif Di Kelas IV Dengan Menerapkan Model Discovery Learning Sutriyanto Sutriyanto
Social, Humanities, and Educational Studies (SHEs): Conference Series Vol 3, No 3 (2020): Social, Humanities, and Educational Studies (SHEs): Conference Series
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (352.543 KB) | DOI: 10.20961/shes.v3i3.57014

Abstract

Tujuan penelitian ini mendeskripsikan efektifitas penggunaan Model Discovery Learning untuk perbaikan mutu pembelajaran. Penelitian Tindakan Kelas menggunakan metode deskriptif kualitatif model siklus: perencanaan, pelaksanaan, observasi, dan refleksi. Subjeknya adalah siswa dan guru kelas IV SDN 3 Wawonii Tenggara tahun 2019. Hasilnya: (1) Untuk pembelajaran IPA kelas IV SDN 3 Wawonii Tenggara dibutuhkan Pemelajaran model Model Discovery Learning. (2) Penerapan Model Discovery Learning dapat meningkatkan pemahaman konsep Pada Materi Energi Alternatif. (3) Perbaikan pembelajaran IPA kelas IV SDN 3 Wawonii Tenggara dapat dilakukan melalui PTK sehingga proses pembelajaran maupun hasilnya meningkat lebih bermutu. (4) Kendalanya adalah keterbatasan waktu, bahan / alat peraga, serta kemampuan  guru dan siswa. Kesimpulan: Penanganan masalah yang dihadapi siswa kelas IV SDN 3 Wawonii Tenggara dalam meningkatkan pemahaman Pada Materi Energi Alternatif melalui Model Discovery Learning perlu dilakukan secara terencana, sistematis dan berkelanjutan sehingga secara bertahap siswa menguasai kompetensi yang berhubungan dengan pembelajaran IPA.
FOTOGRAFI KOMERSIL BAGI KOMUNITAS USAHA KECIL MENENGAH SOLO SMEsCOMM Sutriyanto Sutriyanto
Abdi Seni Vol 2, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4239.566 KB) | DOI: 10.33153/abdiseni.v2i1.83

Abstract

The importance of media promotion in order to improve productivity must always be carried out continuously and controlled, the high costs required to make the promotion even in a simple form and understanding of the importance of promotion is the main obstacle why the promotion was not done by many SMEs. Photography knowledge is absolutely necessary in today’s campaign creation. With photography training facility utilizing the most pocket digital camera, expected to overcome one of the sources do not cause promotion. Through the production of artworks that portray the local culture will boost the popularity of the area, while also overcoming some problems of local government. Through a sociological approach, which is conducted directly in the field is expected to know the various problems faced by Small and Medium Enterprises.Key words :  photography, promotion, craftman.
Co-Authors Veronika Kristanti PL