V. Kristanti Putri Laksmi
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Simbolisme Motif Batik Pada Budaya Tradisional Jawa dalam Perspektif Politik dan Religi V. Kristanti Putri Laksmi
Ornamen Vol 7, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3998.308 KB) | DOI: 10.33153/ornamen.v7i1.941

Abstract

Batik art is one of the everlasting and an extra ordinary lagacy  from the Indonesian culture and it has a very deep meaning or sense. There are so many thing that can be revealed through the batik art, such as the background of the culture, faith, customs and tradition, characteristic and manners, savor, skill, etc.  It can be found in the form of various ornaments on the batik  itself. Every sheet of batik cloth reflects a massage and hope about a better future for the person who wears it. The massage is clearly vis­ible through the form of the various ornaments that painted on the batik cloth.  On classical batik, every motif and design ornaments have a  relation with the function of the clothes itself It is caused by every kinds of batik and the distinctive various of ornaments have their own spiri­tual meaning that can be related with the person who wears it and the event.  On the other hand, the form of the various batik ornaments  have an implicit meaning in the form of religion perspective or political perspective.  Key words: the form of various ornaments on the batik, the meaning 
Pembinaan Seni Batik Tulis Bagi Siswa SMA N 2 Sukoharjo V. Kristanti Putri Laksmi
Abdi Seni Vol 3, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1248.902 KB) | DOI: 10.33153/abdiseni.v3i1.163

Abstract

Batik art is one of the ancestral heritage and has been determined by UN agency, UNESCO, in 2009 as an Intangible Heritage does not object or generated by the Indonesian nation, as well as no other nation possessed. Batik, a traditional cloth laden contain cultural values and philosophy of the sublime and inherited from generation to generation. Traditional batik patterns produced is a representation of local culture and stimulated by the present practice of meditation, philosophy and tradition with high charisma. The problem formulation used in the Development Activities of Batik Art is how the process of making batik and how the equipment needed in the process of making batik. In addition, the Development Activities of Batik Art which was held on 19 to August 23, 2011 using themethods of lectures, discussions, andworkshops. Beside that, workshop, a direct introduction of the practice both in terms of materials, tools and techniques of batik, as well as coloring and the remove wax process. Therefore, it becomes an obligation to introduce and preserve, as well as keeping to batik, are not extinct and is acknowledged to be the culture of other nations. This is what encourages the implementing development activities conducted batik in SMA Negeri 2 Sukoharjo so that younger generations can learn more about local culture is valuable and we ought to keep its existence. Key words : Batik, an intangible heritage must be preserved.Â