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All Journal PARAGUNA : Jurnal Ilmiah Pengetahuan, Pemikiran dan Kajian Tentang Seni Karawitan
Budi Kurniawan
ISBI Bandung
Arts Humanities Education Environmental Science Social Sciences Other

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PROBLEMATIKA PENGGUNAAN DESAIN INDUSTRI PADA ALAT MUSIK TRADISIONAL Budi Kurniawan
Paraguna Vol 4, No 1 (2017): TOKOH, HUKUM, DAN PENDIDIKAN KARAWITAN
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (12816.071 KB) | DOI: 10.26742/jp.v4i1.1871

Abstract

Industrial  Design  Act No.  31  of 2000 provides protectiontoany   ornamental  or aesthetic  aspect  of  an   article.  Hence,  it  gives  widestopportunity  to  people  to createa  creativedesign.  On  the  other  side,  Traditional  MusicInstrument  which is  partoffolkloreortraditional  cultural  expression(TCE)  insome  way  still  give an   opportunity  to  anyone  also   to  add   an   element  and   or  make    new   design inherenttoinstruments.A mix  betweenpublicowned rightsof TraditionalMusic Instrument  and  theprivaterightofIndustrial  Designarisenew  problemin  legal sense  including  to  define  an   exact  definition  ofa  "novelty"  element  adhere  in every   Industrial  Design  application  submitted.  Thefactthat  Industrial  Design Office  is   in   a   passive  standing  when  they  accept  a  new   Industrial  Design's application  bothfrom  a  good  faith's  creator   oreven    abadfaith'screatormake theoffice  couldnotrejectthat  applicationuntil  some   onepropose  an  objection. On  the    other  side,    legal   awareness  of  interested  parties,   in   this  case,   are traditional   music   instruments    manufacturers    who   have   been     producing instruments  for  manyyearsare   stilllow  when  opposeon  suchproblems.  This article  will  focus  on  reviewing  "a  novelty"  element  adhere  in   every   on   a  new application  ofIndustrial  Designsubmittedfaced  on"anotnovelty"  elementwhich isarisinginTraditionalMusic  Instruments  base.
DAMPAK HUKUM KEMBALINYA HAK EKONOMI KEPADA PENCIPTA PADA PERJANJIAN JUAL PUTUS ATAS LAGU DAN LIRIK Budi Kurniawan
Paraguna Vol 3, No 1 (2016): FENOMENOLOGI KARAWITAN II
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1632.978 KB) | DOI: 10.26742/jp.v3i1.1864

Abstract

Based on the articles number 18 and  122  of Copyright Act  No. 28, 2014, Sold  Flat  Contract will be  ended in  some  conditions.   Therefore   anyEcono mic   Rights   of  songwriter   and   arrangers  will   be  transferred automatically by music producers after  passing 25 ears plus 2 ears of contract, or in another case after waiting until passing to 25 years plus 2 ears if the contract  has  not come to an  end,  The legal effects with  theother parties especially between  music producers as copyright holders andthe third parties whose some Economic  Rights and  Mechanical   Rights being transferred are not simple.  The ending time of the contract by an Act is unusual since  it is a private area. It is also an unusual term to be applied in different effect from the  existing legal terms such  as Null and  Void, and Invalida te. This legal  research will find any  legal aspects caused  b thesearticles  application.  It will  also examine a preferred and suggested contractby government to transfer a copyright of license contract. In this case songwriters  and  arrange rs,  music producer or any other parties can  avoid  ancircumstances indicated as an act against law in the future. 
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