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ANALISIS MAKNA TANDA PADA FILM KARTINI : RESISTENSI PEREMPUAN JAWA TERHADAP BUDAYA PATRIARKI Nurudin Sidiq Mustofa; Siti Maemunah; Lilik Kustanto
Sense: Journal of Film and Television Studies Vol 2, No 1 (2019)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (135.205 KB) | DOI: 10.24821/sense.v2i1.5074

Abstract

ABSTRACTThe term patriarchy is used to refer to "male power" specifically the power in which male domination of women occurs which is realized in various ways. Men are considered to have more power than women so that people view women as weak and helpless. However, with the participation of women who echoed the spirit of movement in countering the injustice of patriarchal culture, this social change was taken by the media to be socialized through propagation media that focused visual auditivity, for example in films. The paper thesis was intended to look for signs of resistance (resistance) to patriarchal culture in the components of the filmThis research is a qualitative research with qualitative descriptive method, namely by conducting research on signs of resistance against patriarchal culture on the components of Kartini's film. The analysis unit to be used is the scene. The results of the research data are processed by qualitative analysis which is encoded by the three-level theory of social code proposed by John Fiske so that conclusions can be drawn.Based on the results of  the study it can be concluded that some film components show signs of resistance to culture such as wardrobe, movement, sound, music, editing, arrangement, and cinematography. These signs after coding are done using the Three levels of the Social Code showing women's representation of the culture of the Patriarchy.Keywords: Resistance, Women, Patriarchal Culture, Signs, Film Components  ABSTRAKIstilah patriarki digunakan untuk menyebut “kekuasan laki-laki” khususnya kekuasan yang didalamnya berlangsung dominasi laki-laki atas perempuan yang direalisasikan melalui berbagai cara. Laki-laki dianggap memiliki kekuatan lebih dibanding perempuan sehingga masyarakat memandang perempuan sebagai seorang yang lemah dan tidak berdaya. Namun seiring dengan banyaknya perempuan yang mendengungkan semangat pergerakan dalam melawan ketidakadilan budaya patriarki, gejala sosial ini ditangkap oleh media untuk disosialisasikan kedalam proyeksi media yang bersifat auditif visual, contohnya pada film. Skripsi karya tulis berjudul “Resistensi Perempuan Jawa Terhadap Patriarki (Analisis Makna Tanda Pada Film Kartini)” ini bertujuan untuk mencari tanda-tanda resistensi (perlawanan) terhadap budaya patriarki didalam komponen-komponen film.Penelitian ini merupakan penelitian kualitatif dengan metode deskriptif kualitatif, yaitu dengan melakukan pencarian tanda-tanda resistensi (perlawanan) terhadap budaya patriarki pada komponen-komponen film Kartini. Unit analisis yang akan digunakan adalah scene. Data hasil penelitian diolah dengan analisis kualitiatif yang dikodekan dengan teori three level of social codes yang dikemukakan oleh John Fiske sehingga bisa ditarik beberapa kesimpulan.Berdasarkan hasil kajian dapat disimpulkan bahwa beberapa komponen- komponen film menunjukan tanda-tanda resistensi (perlawanan) terhadap budaya patriarki seperti wardrobe, pergerakan, sound, musik, editing, setting, dan sinematografi. Tanda-tanda tersebut setelah dilakukan pengkodean menggunakan Three level of Social Codes menunjukan representasi perlawanan perempuan Jawa terhadap budaya Patriarki.Kata Kunci : Resistensi, Perempuan, Budaya Patriarki, Tanda, Komponen Film
Resistensi Tertutup Perempuan Jawa pada Budaya Patriarki pada Visual dan Komponen Film Kartini (2017) Nurudin Sidiq Mustofa; Rony Ramadhan
Jurnal Ilmu Komputer dan Desain Komunikasi Visual Vol 9 No 1 (2024): Jurnal Ilmu Komputer dan Desain Komunikasi Visual
Publisher : Fakultas Ilmu Komputer Universitas Nahdlatul Ulama Sidoarjo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55732/jikdiskomvis.v9i`1.1166

Abstract

Patriarchy, a system where men dominate, has long influenced society, including the notion that women are weaker. However, the spirit of resistance is increasingly echoed, including through media such as movies. This article aims to explore the traces of closed resistance to patriarchal culture in film, using the movie "Kartini" as an example. This research analyzes "Kartini" qualitatively, going scene by scene to find John Fiske's three-tingkat "social codes". These codes, ranging from the surface tingkat to the underlying reality, help reveal the hidden messages in the movie. The closed resistance to patriarchy is implied in the movie's visuals and various other components, from the costumes Kartini wears to the cinematography used.  Through this analysis, we can see that film can be a powerful weapon against patriarchal culture. "Kartini" shows how Javanese women, despite living in the shackles of custom, can resist and fight for their rights.
Resistensi Tertutup Perempuan Jawa pada Budaya Patriarki pada Visual dan Komponen Film Kartini (2017) Nurudin Sidiq Mustofa; Rony Ramadhan
Jurnal Ilmu Komputer dan Desain Komunikasi Visual Vol 9 No 1 (2024): Jurnal Ilmu Komputer dan Desain Komunikasi Visual
Publisher : Fakultas Ilmu Komputer Universitas Nahdlatul Ulama Sidoarjo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55732/jikdiskomvis.v9i`1.1166

Abstract

Patriarchy, a system where men dominate, has long influenced society, including the notion that women are weaker. However, the spirit of resistance is increasingly echoed, including through media such as movies. This article aims to explore the traces of closed resistance to patriarchal culture in film, using the movie "Kartini" as an example. This research analyzes "Kartini" qualitatively, going scene by scene to find John Fiske's three-tingkat "social codes". These codes, ranging from the surface tingkat to the underlying reality, help reveal the hidden messages in the movie. The closed resistance to patriarchy is implied in the movie's visuals and various other components, from the costumes Kartini wears to the cinematography used.  Through this analysis, we can see that film can be a powerful weapon against patriarchal culture. "Kartini" shows how Javanese women, despite living in the shackles of custom, can resist and fight for their rights.