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Pemerolehan Bahasa Anak Usia 3 Tahun di Paud Al-Anwar (Studi Kasus Muhammad Kaivan Arasyid) Sri Wulan ebriyanti; Velayati Khairiah Akbar
Ta'ehao: Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Vol 2 No 2 (2023): Agustus 2023
Publisher : Universitas Nias

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56207/taehao.v3i2.244

Abstract

This study aims to describe the form of vocal and consonant acquisition in children aged 3 years in the case study of Muhammad Kaivan Arasyid. This study uses a qualitative descriptive research method. The theory used in this research is Darjowidjojo's theory (2012). The source of the data in this study was Kaivan's conversations of 3-year-old children at PAUD al-Anwar, where conversations were taken from parents, relatives, friends and teachers at school in the form of sentences that Kaivan often utters in everyday life. The results of the study concluded that the acquisition of the kaivan language obtained from the results of the study, that kaivan had acquired the vowel sounds (a), (i), (u), (e) and (0) clearly at the beginning, in the middle and at the end. kaivan has also acquired consonant sounds consisting of (b), (c), (d), (g), (h), (j), (k), (l), (m), (n), (p ), (s), (t), (w) and (y). there are several consonants that are difficult for kaivan to produce, namely consonants (f), (v), and (z) because when he reaches 3 years old, kaivan experiences loss of air which is still free due to the fact that his lower teeth are not perfectly attached to his upper lip. Meanwhile, the consonant (r) never appears at the beginning, in the middle or at the end, but removes and replaces the consonant (r) with (l). example: (walna) means (color)
The Existence and Social Functions of Sabeni Jawara from Tanah Abang in Contemporary Betawi Society Velayati Khairiah Akbar; Yasir Mubarok
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 6 No. 2 (2026): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v6i2.2633

Abstract

Amid the pressures of globalization and the growing dominance of transnational popular culture in Jakarta, the continuity of local oral traditions has become increasingly contested. This study investigates the existence and social functions of Betawi folklore through an analysis of Sabeni Jawara from Tanah Abang. Employing a qualitative descriptive design grounded in ethnolinguistics and dialogical ethnography, data were collected through field observations, in-depth interviews with Betawi cultural figures, and documentary analysis of folklore texts and related cultural sources. The findings reveal that Betawi folklore remains socially relevant not because it survives solely as an oral narrative, but because it has been institutionalized and recontextualized within contemporary cultural domains, including the Jakarta Local Culture and Environment Education curriculum (PLBJ), Lenong performances, and the Palang Pintu tradition. Functionally, the story of Sabeni Jawara operates as a vehicle for transmitting religious and moral values, fostering character education, and sustaining performative entertainment rooted in Betawi cultural aesthetics. More importantly, the study demonstrates that folklore functions as a dynamic mechanism for reproducing cultural identity, social memory, and collective values within a rapidly changing metropolitan environment. These findings contribute to folklore studies by showing how traditional narratives endure through processes of institutionalization, cultural performance, and identity reproduction, thereby positioning folklore not as a relic of the past but as an adaptive system of local knowledge that supports cultural sustainability in contemporary urban society.
Interseksionalitas Tokoh Bu Prani Pada Film Budi Pekerti Karya Wregas Bhanuteja: Kajian Feminisme Kimberlé Crenshaw Aghniya Hanifatil Hakim; Velayati Khairiah Akbar
Journal of Linguistics and Social Studies Vol 3, No 2: 2026
Publisher : STAI Nurul Islam Mojokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52620/jls.v3i2.445

Abstract

This study aims to describe the types of intersectionality experienced by the character Bu Prani in the film Budi Pekerti. A qualitative method was employed to describe these intersectional aspects based on Kimberlé Crenshaw’s framework. The data consisted of dialogue, visuals, and scenes from Wregas Bhanuteja’s film Budi Pekerti that illustrate the intersectionality affecting Bu Prani. Data collection involved observation and documentation of the film. The results reveal three types of intersectionality experienced by Bu Prani: (1) structural intersectionality (two instances), (2) representational intersectionality (two instances), and (3) political intersectionality (two instances). These findings indicate that the injustice Bu Prani experiences is shaped not only by gender but also by intersecting factors—such as social constructs, power dynamics in media representation, and school policies—which collectively intensify the forms of adversity she faces.
Analisis Gaya Bahasa Perbandingan dalam Puisi pada Novel Srimenanti karya Joko Pinurbo: Kajian Stilistika Alimul Fadzli; Velayati Khairiah Akbar
Journal of Linguistics and Social Studies Vol 3, No 2: 2026
Publisher : STAI Nurul Islam Mojokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52620/jls.v3i2.471

Abstract

Novel Srimenanti karya Joko Pinurbo memiliki yang hadir di dalamnya dengan memanfaatkan penggunaan gaya bahasa untuk memperkuat makna dan menghadirkan estetika. Penelitian ini bertujuan untuk mendeskripsikan bentuk-bentuk gaya bahasa perbandingan yang hadir pada puisi dalam novel tersebut. Penelitian ini menggunakan metode kualitatif dengan pendekatan deskriptif, dengan sumber data berupa puisi-puisi yang hadir di novel Srimenanti. Adapun untuk analisis data, penelitian ini memakai model dari Miles dan Huberman dengan cara merdeuksi data, menyajikan data, dan menarik verifikasi kesimpulan. Hasil penelitian menunjukkan ditemukan empat gaya bahasa perbandingan pada puisi yang berupa metafora sebanyak tujuh data, personifikasi enam data, simile dua data, dan antitesis satu data. Gaya bahasa metafora merupakan yang paling dominan ditemukan, sehingga menunjukkan bahwa puisi dalam novel Srimenantikaya akan makna kiasan, sehingga perlu pembacaan yang lebih cermat untuk memahami isi novel keseluruhan.