Narges Raoufzadeh
Department of English Language and Literature, Science and Research Branch, Islamic Azad University, Tehran, Iran

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Journal : LingLit Journal

Concept of Time in Virginia Woolf’s To the Lighthouse: Bergsonian Study Fatemeh Sadat Basirizadeh; Shiva Zaheri Birgani; Narges Raoufzadeh; Viona Sapulette
LingLit Journal Scientific Journal for Linguistics and Literature Vol 2 No 2 (2021): Linglit Journal: Scientific Journal of Linguistics and Literature, June
Publisher : Britain International for Academic Research (BIAR-Publisher)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/linglit.v2i2.460

Abstract

Time is an important element in modern literature, has always been one of the most important themes of Virginia Woolf’s novels. The purpose of this paper is to look at Woolf treatment of the movement of time within the conscious mind in the novel in title of To the Light House by Virginia Woolf. One conclusion drawn from this study is that Woolf began to use time as a literary element, thereby decreasing her development of plot and characterization. A second conclusion is that she was greatly influenced by the philosophy of Henri Bergson and that consequently her writing increasingly reflects the fluid movement of time within consciousness. This paper demonstrates that Virginia Woolf used time as a formal element of narrative to show the relationship of time to human consciousness; and she never overlooked the fact that time moves human beings toward death. For Woolf, life is characterized by endless variety and movement. Its exquisite beauty is enhanced by knowing that we humans live short lives and lose everything when we die.
The Study of Spurt of Blood in the lens of The Theatre of Cruelty Fatemeh Sadat Basirizadeh; Narges Raoufzadeh; Shiva Zaheri Birgani
LingLit Journal Scientific Journal for Linguistics and Literature Vol 3 No 1 (2022): Linglit Journal: Scientific Journal of Linguistics and Literature, March
Publisher : Britain International for Academic Research (BIAR-Publisher)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/linglit.v3i1.624

Abstract

This paper explains Antonin Artaud's Spurt of Blood in the lens of The Theatre of Cruelty. Antonin Artaud is one of the most famous writers in the history of theatre. Antonin Artaud is considered to be the main contributor to the ideologies of Theatre of Cruelty in the early twentieth century as a reaction to the generic and ordinary ways in which theatre was created In Antonin Artaud's A Spurt of Blood examines subjects that may appear frightening to the general public such as blasphemy against God and the idea of innocence being reversed to lust, or love to depravity, or security to terror.
Existentialist Reading of Harold Pinter’s Slight Ache in the lens of Sartre Raouf Aminzadeh; Fatemeh Sadat Basirizadeh; Narges Raoufzadeh; Shiva Zaheri Birgani
LingLit Journal Scientific Journal for Linguistics and Literature Vol 3 No 2 (2022): Linglit Journal: Scientific Journal of Linguistics and Literature, June
Publisher : Britain International for Academic Research (BIAR-Publisher)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/linglit.v3i2.719

Abstract

The aim of this study is to discuss use of language, existential anguish and despair and man’s self-quest for identity demonstrate lack of meaning in life in characters in the Slight Ache. Choice and responsibility are two important factors for human life.
Postcolonial Study on Guest by Camus in the lens of Homi Ke Bhabha Raouf Aminzadeh; Fatemeh Sadat Basirizadeh; Narges Raoufzadeh; Shiva Zaheri Birgani
LingLit Journal Scientific Journal for Linguistics and Literature Vol 3 No 2 (2022): Linglit Journal: Scientific Journal of Linguistics and Literature, June
Publisher : Britain International for Academic Research (BIAR-Publisher)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/linglit.v3i2.720

Abstract

The aim of this study is to discuss use of Postcolonial Study on Guest by Camus in the lens of Homi Ke Bhabha. The result of this study shows that The Arab was "imposing on him a kind of brotherhood he understood well but refused to accept in the particular circumstances," Daru believes (80). Due to the control Daru wields over the Arab as his 'transport' to the police and the political context of the region, the two have significant contrasts that make for a difficult friendship to form. The human connection, on the other hand, is undeniable, since the two sharing a place led to the formation of "an odd alliance," as Daru describes it