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Nurhaya Baniyamin
International Islamic University Malaysia
Arts Humanities Social Sciences

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Rethinking Bamboo: An Asian Eco-Interior Design Language with Ecological Branding in East Asia Nurhaya Baniyamin; Shamzani Affendy Mohd Din
Cultural Syndrome Vol 1, No 2 (2019): Cultural Syndrome
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2318.812 KB) | DOI: 10.30998/cs.v1i2.229

Abstract

This article takes a look and survey of the approaches in interior design possibilities and expressions in applying the use and particular structural qualities of bamboo. This particular material has gained much interest due to its quality of being rapidly replenishable, thus allowing it as an alternative to more depleting resources such as timber and other materials. The paper focuses on the higher applications of bamboo and the recent corporate space design and its typological function gain from the application of bamboo as an interior design strategy and aesthetics. With the move by the United Nation on having 17th initiatives under Sustainable Development Goals (SGDs), this study will discuss further how bamboo could be improving the quality of life in the countries with the tropical climate where bamboo vastly grown and reliable as one sustainable material in construction of structure outdoor, indoor and also to be used widely in arts & craftsmanship in the region.
Unity and Multiplicity in Islamic Geometric and Calligraphic Expression: A Photographic and Visual Journey of Space in Nusantara Mosques Nurhaya Baniyamin; Zumahiran Kamaruddin; Rajabi Abdul Razak
Cultural Syndrome Vol 1, No 1 (2019): Cultural Syndrome
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1357.809 KB) | DOI: 10.30998/cs.v1i1.20

Abstract

The paper describes how the experience and philosophy of Islamic unity and multiplicity are heightened through a photographic compilation of surface patterning; geometric and calligraphic in Mosques in the region. It then focuses on two mosques to highlight their particular contributions to achieved a contextualisation of such a universal aesthetic design and expression. Both masjid Negara Kuala Lumpur and the Istilal Mosque, Jakarta, represent key innovation, of prayer hall expression and decoration due to the contextualisation, and regionalization of essential geometric patterning, which departs from the usual stereotypical Islamic geometry to embrace and forward a Nusantara identity that resonates with minimalism and modernization in the industrialized world. 
Co-Authors Rajabi Abdul Razak Shamzani Affendy Mohd Din Zumahiran Kamaruddin