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All Journal Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Bercadik: Jurnal Pengkajian dan Penciptaan Seni
Syaiful Erman
Institut Seni Indonesia Padangpanjang
Arts Humanities

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BUDAYA PINGIT DALAM TARI “PEREMPUAN DALAM BATAS” Prasika Dwi Nugra; Susas Rita Loravianti; Syaiful Erman
Bercadik: Jurnal Pengkajian dan Penciptaan Seni Vol 3, No 2 (2016): Bercadik: Jurnal Pengkajian dan Penciptaan Seni
Publisher : Institut Seni Indonesia Padang Panjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (120.777 KB) | DOI: 10.26887/bcdk.v3i2.543

Abstract

ABSTRACT “Perempuan Dalam Batas” Dance is an imaginative expression of anxiety about the condition of women in Indonesia. This dance work is inspired by the interpretation of seclusion cultural phenomenon in Palembang, South Sumatera called pingit. Women in the time of Sultanate of Palembang Darussalam were secluded and equipped with skill to weave in order to acquire a partner/couple of the nobility later on. Women during the colonial era were secluded in pangkeng hidden from the invaders. Pingit is a form of protection arranged by the women’s parents with a specific purpose at different times. That protective imaginary space then becomes the starting point of this work creation by focusing on women as the object of seclusion and impact occurred from the presence of the space. Fundamentally, the idea of protection in seclusion is to protect the women nevertheless, the way of doing the protection results on negative effects toward the women themselves. The negative effects of seclusion ultimately result on limited movement/expression and social space for women in their life. Method of creation applied in this work was observation (exploration of data, interview, and documentation), data analysis, creation process (contemplation, exploration of movement, formation), preparation, performance, and evaluation. This work is divided into 4 (four) parts namely 1) The interpretation of women in seclusion during the era of Palembang Darussalam Sultanate and the era of colonization; 2) The interpretation of seclusion as the cause of women’s limited movement and social space; 3) The interpretation of the uprising as the response of secluded women; 4) The interpretation of women who are unable to get off of the seclusion issue. Keywords: Pingit culture, Women, Choreography.
TARI RENTAK BULIAN SEBAGAI EKSPRESI BUDAYA DAN REFLEKSI KEINDAHAN MASYARAKAT INDRAGIRI HULU PROPINSI RIAU Erlinda Erlinda; Asmaryetti Asmaryetti; Syaiful Erman
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 1, No 2 (2023): Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni
Publisher : Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/gjg.v1i2.3743

Abstract

Studies on the dance Rentak Bulian in Riau Community are kinds of discussions aboutfield empirical reality with the problems of dance as a cultural expression among its community. In addition to describing the existence of the dance, this study also analyses the reflection of its beauty by investigating its aspects of movement, musics, costumes, properties, supports, and presentation. Analysis is done descriptively, qualitative, and interpretatively. The dance of Rentak Bulian constitutes a cultural expression of the Malay community of Petalanganan Talang Mamak, Indragiri Hulu, Rengat. Although the ritual of Bulian has transformed into a performance arts, seeing from either its form, function, and meaning, the ritual's magic component must still be staged in order to fulfil its performance demand. Among the rituals are: there must be seven virgin female dancers; the dancers are in their clean period (not in menstruation), there must be a strong male dancer, the dancers are not related in blood, all dancers must acquire consents from the village elders, they must be blessed with sandalwood smoke, musical instruments must be casted, the young bunch of areka nut must be selected, and the fireplace must not be casted any spell.
Co-Authors Asmaryetti, Asmaryetti Erlinda Prasika Dewi Nugra Susas Rita Loravianti