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Ihtikar dan Tas’ir dalam Kajian Hukum Bisnis Syariah Ahmad Zaini
TAWAZUN : Journal of Sharia Economic Law Vol 1, No 2 (2018): TAWAZUN : Journal of Sharia Economic Law
Publisher : Sharia Faculty Islamic Economic Law Study Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21043/tawazun.v1i2.5091

Abstract

We have heard news on television about the depletion of the availability and even the disappearance of food and gas in several regions. This causes the price of rice and gas to rise. As a result, there were long queues in these areas to buy rice (the price of which was quite affordable). Likewise with gas, the gas tube queues that are lined up become a common sight. The incident, not infrequently some sellers carry out hoarding actions or often referred to as monopolies. Broadly speaking, the attitude of the jurists regarding ihtikār includes several groups, groups that see that ihtikar is an act of haram, makruh, mubah and mandub. Ihtikar and tas'ir can be done if the price situation in the market soars. Of course, those who have the right to control monopoly and pricing are the authorities with the conditions for the benefit of the people. Monopoly and pricing basically harm many people, but both can be enforced under forced conditions and prices are not stable.
Toleransi Antar Umat Beragama dalam Film “?” (Tanda Tanya) dan Ayat-Ayat Cinta 2 Ahmad Zaini
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol 14 No 1 (2020)
Publisher : Fakultas Dakwah UIN Prof. K.H. Saifuddin Zuhri

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (417.671 KB) | DOI: 10.24090/komunika.v14i1.2052

Abstract

This paper aims to find out the discourse of tolerance among religious people featured in the film “?” (Tanda Tanya) and Ayat-Ayat Cinta 2. Both are viewed from the level of the text, the level of social cognition, and the level of social context. The research method used is qualitative analysis with Teun van Dijk's theoretical approach, namely data analysis at the level of text, social cognition and social context. The results showed that; First, the discourse of tolerance at the text level in the film “?” (Tanda Tanya) is related to various themes, both about harmony among religious communities, cultural diversity and about tolerance. Likewise the film Ayat-Ayat Cinta 2 also tells the story of religious life in European countries. Second, the discourse of tolerance between religious communities is seen from the level of social cognition. In the film “?” (Tanda Tanya), both the screenwriter and director want to explain the reality of the diversity of religions, cultures and customs that exist in Indonesia. He wants to explain the relationship between religious people in a vulgar way. In contrast to the more refined Ayat-Ayat Cinta 2 movie. Third, the discourse of tolerance between religious communities in terms of the level of social context. The film “?” (Tanda Tanya) is motivated by the number of bombings that occurred at the house of worship three or four years before. At the level of the social context of this film as a sequel to the previous Ayat-Ayat Cinta movie. The background of making this film is because it wants to illustrate that Islam can be used as a way of life wherever we live, including life in the West though. Tulisan ini bertujuan untuk mengetahui wacana toleransi antar umat beragama yang ditampilkan dalam film “?” (Tanda Tanya) dan Ayat-Ayat Cinta 2. Keduanya ditinjau dari level teks, level kognisi sosial, dan level konteks sosial. Metode riset yang digunakan adalah analisis kualitatif dengan pendekatan teori Teun van Dijk, yaitu analisis data pada level teks, kognisi sosial dan konteks sosial. Hasil penelitian menunjukkan bahwa; pertama, wacana toleransi pada level teks dalam film “?” (Tanda Tanya) berkaitan dengan tema yang beragam, baik itu tentang kerukunan antar umat beragama, keragaman budaya maupun tentang toleransi. Demikian halnya film Ayat-Ayat Cinta 2 juga mengkisahkan tentang kehidupan umat beragama di negara Eropa. Kedua, wacana toleransi antar umat beragama ditinjau dari level kognisi sosial. Dalam film “?” (Tanda Tanya) sang penulis skenario maupun sutradara ingin memaparkan realitas tentang keragaman agama, budaya, adat istiadat yang ada di Indonesia. Ia ingin memaparkan hubungan antar umat beragama secara vulgar. Berbeda dengan film Ayat-Ayat Cinta 2 yang lebih halus. Ketiga, wacana toleransi antar umat beragama ditinjau dari level konteks sosial. Film “?” (Tanda Tanya) dilatarbelakangi banyaknya kejadian bom yang melanda rumah ibadah pada tiga atau empat tahun sebelumnya. Pada level konteks sosial film ini sebagai sekuel film Ayat-Ayat Cinta sebelumnya. Latar belakang pembuatan film ini karena ingin menggambarkan bahwa Islam dapat dijadikan pedoman hidup dimanapun kita tinggal, termasuk hidup di negeri Barat sekalipun.
Strategy for developing da'wah broadcast programs on television in the millennial era Ahmad Zaini; Nur Ahmad
Jurnal Ilmu Dakwah Vol 42, No 2 (2022)
Publisher : Faculty of Dakwah and Communication, Walisongo State Islamic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21580/jid.v42.2.10842

Abstract

Purpose - This study aims to determine the planning and production of religious broadcast programs and to find strategies for developing Da'wah broadcast programs so that millennials are interested.Method - This study uses a qualitative method. Data collection techniques use the methods of observation, interviews, and documentation.Result - The contribution of this research is about the importance of the strategy of developing da'wah through television in order to present popular, and competent sources without any hidden agenda, and have different backgrounds. In addition, cadre presenters from the millennial generation, generation Z, empowered presenters who are eye-catching, fashionable, smart, communicative, capable of public speaking, smart in their way of thinking, and influencers who have lots of followers.Implication - The contribution of this research is about the importance of the strategy of developing da'wah through television in order to present popular and competent sources without any hidden agenda, and have different backgrounds. In addition, cadre presenters from the millennial generation, generation Z, empowered presenters who are eye-catching, fashionable, smart, communicative, capable of public speaking, smart in their way of thinking, and influencers who have lots of followers.Originality - This study focuses on the development of da'wah through television so that it continues to exist in this millennial era.***Tujuan - Penelitian ini bertujuan untuk mengetahui perencanaan dan produksi program siaran religi serta menemukan strategi pengembangan program siaran dakwah agar diminati generasi milenial.Metode – Penelitian ini menggunakan metode kualitatif. Teknik pengumpulan data menggunakan metode observasi, wawancara, dan dokumentasi.Hasil - Kontribusi penelitian ini adalah tentang pentingnya strategi pengembangan dakwah melalui televisi agar menghadirkan narasumber yang populer, kompeten, tanpa agenda tersembunyi, dan memiliki latar belakang yang berbeda. Selain itu, kader presenter dari generasi milenial, generasi Z, presenter berdaya yang eye-catching, fashionable, smart, komunikatif, mampu public speaking, cerdas cara berpikirnya, dan influencer yang memiliki banyak followers.Implikasi - Kontribusi penelitian ini adalah tentang pentingnya strategi pengembangan dakwah melalui televisi untuk menghadirkan narasumber yang populer dan kompeten tanpa agenda tersembunyi, serta memiliki latar belakang yang berbeda. Selain itu, kader presenter dari generasi milenial, generasi Z, presenter berdaya yang eye-catching, fashionable, smart, komunikatif, mampu public speaking, cerdas cara berpikirnya, dan influencer yang memiliki banyak followers.Orisinalitas - Kajian ini berfokus pada perkembangan dakwah melalui televisi agar tetap eksis di era milenial ini.