Garuda - Garba Rujukan Digital

Bedjo Riyanto

Universitas Sebelas Maret

Author-ID : 3539161

Arts Humanities Education Languange, Linguistic, Communication & Media

Published : 3 Documents Claim Missing Document

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Articles

Perkembangan Wayang Alternatif di Bawah Hegemoni Wayang Kulit Purwa Bedjo Riyanto; Sayid Mataram
PANGGUNG Vol 28, No 1 (2018): Kontestasi Tradisi: Seni dalam Visualisasi Estetik, Naskah, dan Pertunjukan
Publisher : LP2M ISBI Bandung

AbstractPuppet as a creative product is often interpreted narrowly only in the art of wayang purwa performances which is in the evolutionary span of many centuries has shown its most adaptive ability. Hegemony of a puppet, as one of Javanese's most valuable cultural creativities, on the other hand, has a negative impact on the evolution of Javanese culture itself. The process of wayang refinement, as a classical art in the exclusive cultural sites of the palace, at the same time, faced challenges from the outside which has brought the puppet a popular cultural product categorised as 'kitch' which was considered merely as an invaluable art. The emergence of contemporary puppet works from Indonesian artists signifies the development of movement in the effort to interpret, explore, and develop traditional puppet art entering the wider field of arts so that puppet art does not become a static art.Keywords: alternative puppet, hegemony, shadow puppet PurwaAbstrakWayang sebagai suatu produk kreatif sering ditafsirkan secara sempit hanya pada seni pertunjukan wayang Purwa yang dalam rentang evolusi berabad-abad paling menunjukkan kemampuan adaptifnya. Hegemoni seni pewayangan, sebagai salah satu produk kreativitas budaya Jawa paling adiluhung, pada sisi lainnya berdampak negatif pada evolusi kebudayaan Jawa itu sendiri. Proses refinement wayang, sebagai seni adiluhung klasik dalam kantung-kantung budaya ekslusif kraton dalam saat yang sama mendapat, tantangan dari luar yang membuat seni pewayangan menjadi produk budaya populer yang bersifat kitch yang dianggap hanya sekadar hiburan yang tidak bernilai. Kemunculan karya wayang kontemporer dari para seniman Indonesia menandakan adanya gerak perkembangan di dalam usaha menafsirkan, mengeksplorasi, dan mengembangkan seni pewayangan tradisional memasuki medan kesenian yang lebih luas sehingga seni pewayangan tidak menjadi seni yang beku.Kata kunci: wayang alternatif, hegemoni, wayang kulit Purwa

THE CREATION OF THE BEDHAYA KETAWANG DANCE STORY BOOK AT SURAKARTA PALACE Bedjo Riyanto; Jasmine Aurelia Kartono
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 2 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

This study examines the Bedhaya Ketawang dance in relation to the cultural traditions of the Surakarta Palace in Indonesia. This research primarily seeks to elucidate the significance of introducing and preserving Javanese culture, which still adheres to established norms. This study employs a qualitative research approach, utilizing a literature review method and complemented by interviews focusing on the Bedhaya Ketawang dance. The audience's responses indicate a positive reception towards the illustrations that have been created. They could easily comprehend the material presented in the storybook, enabling them to articulate the uniqueness of the Bedhaya Ketawang dance and its significance.

Perkembangan Wayang Alternatif di Bawah Hegemoni Wayang Kulit Purwa Bedjo Riyanto; Sayid Mataram
PANGGUNG Vol 28 No 1 (2018): Kontestasi Tradisi: Seni dalam Visualisasi Estetik, Naskah, dan Pertunjukan
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v28i1.440

AbstractPuppet as a creative product is often interpreted narrowly only in the art of wayang purwa performances which is in the evolutionary span of many centuries has shown its most adaptive ability. Hegemony of a puppet, as one of Javanese's most valuable cultural creativities, on the other hand, has a negative impact on the evolution of Javanese culture itself. The process of wayang refinement, as a classical art in the exclusive cultural sites of the palace, at the same time, faced challenges from the outside which has brought the puppet a popular cultural product categorised as 'kitch' which was considered merely as an invaluable art. The emergence of contemporary puppet works from Indonesian artists signifies the development of movement in the effort to interpret, explore, and develop traditional puppet art entering the wider field of arts so that puppet art does not become a static art.Keywords: alternative puppet, hegemony, shadow puppet PurwaAbstrakWayang sebagai suatu produk kreatif sering ditafsirkan secara sempit hanya pada seni pertunjukan wayang Purwa yang dalam rentang evolusi berabad-abad paling menunjukkan kemampuan adaptifnya. Hegemoni seni pewayangan, sebagai salah satu produk kreativitas budaya Jawa paling adiluhung, pada sisi lainnya berdampak negatif pada evolusi kebudayaan Jawa itu sendiri. Proses refinement wayang, sebagai seni adiluhung klasik dalam kantung-kantung budaya ekslusif kraton dalam saat yang sama mendapat, tantangan dari luar yang membuat seni pewayangan menjadi produk budaya populer yang bersifat kitch yang dianggap hanya sekadar hiburan yang tidak bernilai. Kemunculan karya wayang kontemporer dari para seniman Indonesia menandakan adanya gerak perkembangan di dalam usaha menafsirkan, mengeksplorasi, dan mengembangkan seni pewayangan tradisional memasuki medan kesenian yang lebih luas sehingga seni pewayangan tidak menjadi seni yang beku.Kata kunci: wayang alternatif, hegemoni, wayang kulit Purwa

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