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Indonesian Teen Romanticism: The Underlying Ideology of œFilm Television (FTV) During Covid-19 Pandemic from Gender Perspective Refti Handini Listyani; FX Sri Sadewo; Mohammad Reevany Bustami; Moh. Mudzakkir; Emy Susanti
The Journal of Society and Media Vol. 5 No. 1 (2021): Life Changes in Social Life and Media
Publisher : Department of Social Science, Faculty of Social Science &Law, Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jsm.v5n1.p129-150

Abstract

This research examines the underlying ideology(s) of a TV program called ˜Film Television (FTV). This TV program is on during the Covid-19 Pandemic. Specifically, using framing analysis and gender perspective approach as a methodology, this research analyses the ways in which these ideologies developed in FTV. Six prime samples of FTV were chosen, namely Laki-laki Buaya Darat, Cowok Gue IQ-nya Ancur Banget, Cowok Gue Pendek Bener, Pacar honorer, Ganteng-ganteng Medit, Pacar Gue Brondong. The findings reveal a thrust of twin-contrarian thrust of messaging. There are two embedded ideologies underlying the FTV. First, the FTV production house carries a patriarchal ideology by raising themes that discriminate against women through stereotypes against women that appear in the story. Second, the FTV production house carries the ideology of feminism, with themes that position women as super-ordinates. Women occupy a higher social class than men. This finding of twin-contrarian ideological thrust offers an important contribution to the gender theoretical vacuum of Indonesian TV as an example of Asian teen romanticism in national TV programming during a global crisis.  It has conceptual implication on the repertoire of social science knowledge, especially sociology particularly research on womens body and beauty, sociology of gender and media, and sociology of family.
Work from Home: Social Media, Virtual Meeting and the New Family Relationship Mohammad Jacky; FX Sri Sadewo; Sugeng Harianto; Arief Sudrajat; Mansor Mohd Noor; Des Fenoughty
The Journal of Society and Media Vol. 5 No. 2 (2021): The Influence of Media in Society Life
Publisher : Department of Social Science, Faculty of Social Science &Law, Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jsm.v5n2.p285-310

Abstract

The COVID-19 pandemic has actually forced people to work at home. Office activities outside the home can result in the transmission of COVID-19 to its workers. The government has taken a decision to minimize employee attendance at the office. Employees are encouraged to work at home (WFH), especially in groups vulnerable to infection. The house is turned into an “office space.” With the internet network, these employees are connected to each other. Although factually, this pattern is not a new thing because it has been carried out since the 2000s and is now becoming increasingly intensive. Through qualitative research with an ethnomethodological perspective, the results show that with this pattern, the house has become an encounter between public space and domestic space. This requires a strategy to manage roles in the home. Through in-depth observations and interviews, there were several important findings. First, there is a struggle for space in the house. Second, there is a transfer of stress from work to home. Third, there is a renegotiation of roles in the house, so as not to disturb family harmony. No less important, the community of users of social media and virtual meetings builds constructions of public and domestic space and time. The division of space and time in virtual space is also related to a person's role and social status when in the real world of work.