Claim Missing Document
Check
Articles

Found 2 Documents
Search

CITRA DAN KOMUNIKASI WANITA PEROKOK DI JAKARTA Arleen Ariestyani
Business Economic, Communication, and Social Sciences (BECOSS) Journal Vol. 1 No. 1 (2019): BECOSS
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/becossjournal.v1i1.5986

Abstract

The phenomenon of smokers in Indonesia continues to increase and is worrying. In 2017 there are 6.3 million active smokers. During the last fve years female smokers increased by 400 percent and were the highest achievement in the world, including in Indonesia, and most women smokers were of productive age, ie 13 years to 40 years. For women who smoke they have symbols that contain meaning. Symbols are used to communicate between those who unwittingly cause rules in fellow smokers so that they can be understood when communicating. This study aims to determine the relationship between Image and Communication in women smokers in Jakarta and to identify the motives of women smokers in Jakarta. This study uses a qualitative approach in data collection, with the type of research in the form of case studies. Interviews were used to obtain knowledge about relationships resulting from the Image and Communication of Women smokers and the motives of women smokers. The research criteria determined were active smokers, smoking more than 5 years, productive age, in the city of Jakarta. Many of the smokers still think of several things such as Indonesian culture which is still a bit taboo for women smoking and a lot of community assessments about women smoking themselves. In the communication side of women smokers have 2 parts of the category how they interact with others, they share friendships with other people based on the person smoking or not smoking, this is to respect people who do not like smoking. 
The Role of Information Technology in Visual Communication: Analysis of Graphic Displays in Live Football Matches on Television Rahmat Edi Irawan; Merry Fridha Tri Palupi; Arleen Ariestyani; Trisna Prandawa Putra; Attanan Tachopilsawong
MEDIASI Jurnal Kajian dan Terapan Media, Bahasa, Komunikasi Vol 7 No 2 (2026): May
Publisher : P3M Politeknik Negeri Media Kreatif

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46961/mediasi.v7i2.2029

Abstract

This study examines how information technology shapes visual communication through broadcast graphics in live football television. It compares selected graphic displays from the 2026 FIFA World Cup Asian Qualifiers and the UEFA Champions League, including line-up boards, score graphics, small scoreboards, and offside/VAR displays. Using qualitative visual communication analysis, the study applies Gillian Rose's framework by examining the sites of production, image, and audiencing through technological, compositional, and social modalities. The findings show that broadcast graphics function not only as decorative overlays but also as production infrastructure, data visualization tools, and interpretive interfaces for audiences. UEFA Champions League graphics emphasize premium branding, dynamic composition, and integrated data presentation, whereas Asian Qualifiers graphics prioritize clarity, authority, and functional information delivery. The study contributes to media and communication scholarship by positioning football broadcast graphics as communicative artifacts shaped by technology, institutional branding, and popular-cultural value. Practically, it offers insights for Indonesian broadcasters seeking to improve international-standard sports production.