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All Journal Kiryoku: Jurnal Studi Kejepangan
Febriyani, Lili
Japanese Literature, Faculty Of Cultural Science Universitas Gadjah Mada
Languange, Linguistic, Communication & Media

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Citra Lansia dalam Film ‘An’ (Selai Kacang Merah) dan ‘Oke Roujin!’ (Golden Orchestra) Febriyani, Lili
KIRYOKU Vol 5, No 2 (2021): Jurnal Kiryoku
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v5i2.218-227

Abstract

People who have entered the final phase of life or elderly people, are often labeled with negative stereotypes regarding physical, psychological, and sociological changes. Various descriptions of the self-image of the elderly appear in various texts. This article discusses the image of the elderly in two Japanese films, entitled An (Sweet Bean) and Oke Rojin! (Golden Orchestra). By using Activity Theory, Successful Aging, and Loneliness, the research tries to analyze the image of the elderly that is constructed individually and in groups using the Content Analysis method. From the results of a thorough analysis of the components in the film, it can be concluded that the positive image of the elderly is constructed by looking for gaps of excellence from the shortcomings they have, and the positive image does not eliminate the depiction of the negative image. The elderly from both films try to make good use of old age, leaving the works in different ways, namely Tokue Yoshii with his red bean butter and the elderly orchestra with their first music and concerts.
The Influence of Cultural Context in Japan’s Intercultural Negotiations: Analysis of the Drama Nihon Chinbotsu: Kibo no Hito Febriyani, Lili
KIRYOKU Vol 8, No 1 (2024): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v8i1.37-46

Abstract

In the Japanese drama titled Nihon Chinbotsu: Kibo no Hito, Japan experienced a major disaster in the form of the sinking of the Kanto region into the ocean. From this disaster, Japan lost land, so its citizens had to be transferred to other countries. Japan is negotiating with various countries to transfer Japanese citizens through the immigration process. This article discusses Japan’s intercultural negotiations with China, the United States, and Australia. The Content Analysis method is used to interpret the film’s content related to Japan's intercultural negotiations with these three countries. By using the theory of Intercultural Communication, this study tries to describe the “cultural context” and values that underlie Japan’s intercultural negotiation process; and analyzes its influence on the negotiation process.From the results of a thorough analysis of the components in the drama, It can be concluded that “cultural context” plays an important role in the negotiation process, and this context is closely related to the distinction between high-context culture and low-context culture. Both high-context and low-context cultures show prominent basic values, which also influence the intercultural negotiation process. These values are (1) collectivism and individualism; (2) the level of intimacy of the relationship between Eastern and Western cultures, which includes uchi-soto, power distance in the social hierarchy, and reciprocal relations; (3) reciprocation (on’gaeshi); which overall affects the negotiation process. In addition, from the analysis, it is concluded that Japan and China have similar values, while the United States has similar values to Australia.
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