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All Journal Historia Madania: Jurnal Ilmu Sejarah
Fitri Nuraisyah
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Mitoni sebagai Tradisi Budaya dalam Masyarakat Jawa Fitri Nuraisyah; Hudaidah Hudaidah
Historia Madania: Jurnal Ilmu Sejarah Vol 5, No 2 (2021): Historia Madania: Jurnal Ilmu Sejarah
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/hm.v5i2.15080

Abstract

This article discusses the Javanese tradition in the form of mitoni, the writing of this article aims to analyze the mitoni tradition carried out by people in Java, starting from the preparation before carrying out the mitoni tradition ceremony to the stage of implementing the mitoni tradition. The method used in writing this article is a literature study which is used as a source of data taken from journals and digital books, besides that the data collection technique also uses interview techniques conducted to actors who have carried out the mitoni tradition. The result of writing an article is in the form of a tradition which means that it is a habit that is carried out from the ancestors and then passed on from generation to generation from one generation to the next. In this article, we discuss the mitoni tradition. Mitoni is a tradition carried out by the Javanese people when a mother is pregnant with her first child at the age of seven months. This mitoni tradition usually includes the preparation of tools and materials before carrying out the mitoni tradition ritual, then doing the mitoni tradition starting from the bathing stage, splitting coconut ivory, changing seven kinds of cloth, selling dawet ice and rujak. Then when bathing, the dipper used is made of coconut shell. Furthermore, this article also discusses the meaning of the mitoni tradition which is also called tingkeban.
Wujud Akulturasi Hindu, Budha, dan Islam dalam Seni Pertunjukan Wayang Fitri Nuraisyah; Hudaidah H
Historia Madania: Jurnal Ilmu Sejarah Vol 5, No 1 (2021): Historia Madania: Jurnal Ilmu Sejarah
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/hm.v5i1.12451

Abstract

This article deals with the form of acculturation of Hinduism, Buddhism, and Islam in wayang performing arts”, the writing of this article aims to analyze the results of Hindu-Buddhist acculturation on wayang performance art and the results of Islamic acculturation in the art of wayang performance. The method used in writing this article is literary study which is used as a data source. The results of writing this article are in the form of acculturation, which means that it is a combination of two different cultures that do not eliminate  elements from the old culture. In this article, we discuss acculturation in the art of wayang performance. Wayang is a puppet played by a puppeteer. Wayang has undergone acculturation based on its era, where at the beginning wayang was considered as a shadow of ancestral spirits so that the puppet show ceremony is often performed by the ancestors. Then after Hindu-Buddhist religion came, wayang was used as a medium to spread the Buddhist religion by including stories from the Mahabharata and the Ramayana. After the waning of Hindu-Buddhist influence, the nine wali also carried out the spread of religion and teachings of Islam. The guardians acculturate the values of Islamic teachings with wayang. During the Islamic period, there was a change in the form of wayang from before because the previous form of wayang was contrary to Islamic teachings so that the puppet was changed into a form that did not resemble humans. Keywords: acculturation, Hindu Buddhist Islam, Wayang
Co-Authors Hudaidah H Hudaidah Hudaidah