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Satrya Mahardhika
Bina Nusantara University
Humanities

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Animasi dengan Efek Ilustrasi Pensil (2d) pada Video Klip Musik Satrya Mahardhika; Ardiyan Ardiyan; Ardiyansah Ardiyansah
Humaniora Vol. 1 No. 2 (2010): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v1i2.2912

Abstract

This research is to explore various styles of animation in making video clip of a new band. Besides defining the exact visual style, the process is important to bring animation out of 2D-3D dichotomy. Doodle style is chosen as it suits particular theme of the band’s songs and music genre. Meanwhile, the style defining is related to the efficiency and efforts to be out of mindset that animation is just about technique skill instead of about creativity. 
Mograph Cinema 4d untuk Menunjang Efek Visual Video Klip Ardiyan Ardiyan; Ardiyansah Ardiyansah; Satrya Mahardhika
Humaniora Vol. 1 No. 2 (2010): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v1i2.2913

Abstract

This research is to talk about the advantages of MoGraph as one reliability feature in 3D modeling application, 4D Cinema as the implemented example in Cinta Laura video clip. The advantage in MoGraph is the ability to create multiple object moving effect accordingly and (or) randomly easily and efficiently, also supported by the render quality of Cinema 4D that clean and relatively fast. The advantage made MoGraph Cinema 4D is suitable to use to enrich the visual effect a motion graphic work. The quality is hoped to support MoGraph usage as more creative. Regarding today’s visual variation is effected by the digital technology development, therefore the implementation of MoGraph Conema 4D is hoped to be optimally supporting creativity in making video clip in motion graphic art content. 
Lingkungan dan Pemukiman Zaman Kerajaan Majapahit dalam CGI (Computer Generated Imagery) Ardiyansah Ardiyansah; Ardiyan Ardiyan; Satrya Mahardhika
Humaniora Vol. 1 No. 2 (2010): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v1i2.2914

Abstract

Majapahit is believed to be a great civilization that once have been victorious in our archipelago. Although much is known about the Majapahit, but it turns out more obscure facts have not been revealed and need to be explored in more depth. One is how the people of Majapahit live their life, how they built the civilization by building houses and how they manage their social environment. Using CGI (Computer Generated Imagery) Technology a "replica" Majapahit life can be built by combining the findings of archaeological and engineering-based digital animation 3d. 
Pendekatan Pemandangan Realistik dengan Menggunakan Digital Matte Painting Satrya Mahardhika
Humaniora Vol. 2 No. 1 (2011): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v2i1.3051

Abstract

Movie is one entertainment that is favored by most people. Scenery appearance and spectacular shoots made movie needs high budget for the production. There are shoots looking difficult and needing extra efforts, but obviously it could be solved by using latest technology. Such technology is a combination of 3D and digital painting or image so it could bring digital painting alive: matte painting, a breakthrough in visual effects and movie. The research is conducted through exploration from manipulated images, references and retrieved real images in the specific place. Camera movement is also an important frame to define how far the image will be seen in the camera. So, when it is applied, it has no images that less-showed in camera framing. Although it has limitation in 2D images taken from limited frame, digital matte painting is able to answer industry needs in entertainment to create things that look real.  
Pendekatan Kreatif Produksi Iklan Layanan Masyarakat Bertema Anti Korupsi Tunjung Riyadi; Satrya Mahardhika
Humaniora Vol. 2 No. 2 (2011): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v2i2.3205

Abstract

Corruption in Indonesia is such a life culture that is hardly to be eradicated. In order to solve it, there must be serious and strong will. Campaigning through public service advertising is one part of good moral message disseminating efforts. In producing PSA about corruption, it needs special strategy so the disseminated message could be transferred easily by target audience. One method is creative approach in advertising strategy. To make the production easier, there are stages: pre-production, production and post-production. Production method is through photographic and motion graphic. Motion graphic generally time-based visual media cutting which combine film language and graphic design. The result is a public service advertising film 60’ durated time, in anti-corruption theme. Meanwhile, disseminated message about close relationship between a mother and her child, unhappy because her child is a corruptor. Thus, audience will easily emotionally touched through this public service advertising.  
Storyboard dalam Pembuatan Motion Graphic Satrya Mahardhika; A.F. Choiril Anam Fathoni
Humaniora Vol. 4 No. 2 (2013): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v4i2.3560

Abstract

Motion graphics is one category in the animation that makes animation with lots of design elements in each component. Motion graphics needs long process including preproduction, production, and postproduction. Preproduction has an important role so that the next stage may provide guidance or instructions for the production process or the animation process. Preproduction includes research, making the story, script, screenplay, character, environment design and storyboards. The storyboard will be determined through camera angles, blocking, sets, and many supporting roles involved in a scene. Storyboard is also useful as a production reference in recording or taping each scene in sequence or as an efficient priority. The example used is an ad creation using motion graphic animation storyboard which has an important role as a blueprint for every scene and giving instructions to make the transition movement, layout, blocking, and defining camera movement that everything should be done periodically in animation production. Planning before making the animation or motion graphic will make the job more organized, presentable, and more efficient in the process.  
Co-Authors A.F. Choiril Anam Fathoni Ardiyan Ardiyan Ardiyansah Ardiyansah Tunjung Riyadi