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All Journal Jurnal Masyarakat dan Budaya MEDAN MAKNA: Jurnal Ilmu Kebahasaan dan Kesastraan
Suyadi Suyadi
Balai Bahasa Sumatra Utara
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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Hibriditas Budaya dalam Ketoprak Dor Suyadi Suyadi
Jurnal Masyarakat dan Budaya Vol. 21 No. 2 (2019)
Publisher : LIPI Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14203/jmb.v21i2.817

Abstract

Ketoprak dor is a performing art that lives and develops in North Sumatra. Its appearance began with the sending of Javanese as contract workers for tea plantations. The transmigration of the kuli kontrak formed a new layer of society with the participation of existing social and cultural growth. They did their Javanese activities as usual before being sent as contract coolies, including throwing parties. From this party, there was a desire to make a ketoprak performance. This show is called the ketoprak dor. Based on this, the author conducted a ketoprak dor study in 2009 and 2012 using a semiotic approach by Morris (Zaimar, 2008). The author's semiotic review is done to facilitate the tracking of history and description of the ketoprak dor in North Sumatra Province. From the research that the authors did mention the ketoprak dor is almost extinct swallowed by the times. In fact, the ketoprak dor is actually no longer only owned by Javanese people, but has become the property of Deli Malays. Adapting Javanese people plus Malays who want to accept openness is a big capital of this cultural hybrid process.
LAKON BANGSAWAN SUMATRA UTARA, TINJAUAN SINTAKTIKA Suyadi Suyadi
MEDAN MAKNA: Jurnal Ilmu Kebahasaan dan Kesastraan Vol 17, No 2 (2019): Medan Makna Desember
Publisher : Balai Bahasa Sumatera Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/mm.v17i2.2140

Abstract

The performance of drama bangsawan not only carries social, economic, and political missions. The role of drama bangsawan is increasingly important and strategic in organizing the life of the nation, state, and society. In addition to playing a role to explore the cultural and artistic values that we have, royal drama can also play a role in encouraging the realization of complete human development, which also means not only teaching material/physical, but also very useful to order the mental and spiritual of every human being. This paper presents the syntactic aspects of the drama bangsawan in North Sumatra. The syntactic aspect which is part of Charles Morris's semiotic theory explores the nature and pattern of stories of aristocratic plays. This review succeeded in discovering the existence of the aristocratic theater in North Sumatra and its shape patterns. This folk theater originally took place among the aristocrats in the Serdang Sultanate and eventually became the property of most people. The aristocratic form or concept of the show was maintained even though it was no longer played at the Palace, as the palaces in the former North Sumatra Residency after the Social Revolution collapsed. This theater should be inherited as a non-fine cultural form belonging to North Sumatra.
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