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Hasbi Assidiqi
Universitas Islam Negeri Sunan Gunung Djati Bandung
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences Other

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RACISM AND STEREOTYPE IN GET OUT MOVIE SCRIPT Deni Sepna Nurhadi; Hasbi Assidiqi
CALL Vol 1, No 1 (2019): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v1i1.8807

Abstract

Racism is a belief or ideology that all members of each racial groups possess characteristics or abilities specific to that race, especially to distinguish it as being either superior or inferior to another racial group. Continuation of a racism is stereotype. Stereotypes are generalized because one assumes that the stereotype is true for each individual person in the category. Literary works applying this concept in many worked and one of them is film. Therefore, the writer is interested in discussing the mentioned topic with objective of the research: To identify how racism constructed in Get Out movie and to analyze the stereotype of racism appeared in Get Out movie. The method used in this research is sociology of literature, because it is appropriate to analyze literary work which focused on the racism attitude in Get Out movie script. The grand theory for the topic is Racism a Short History by George M. Fredrickson and Stereotype as Explanations by Craig McGarty. While the object of this research is Get Out movie script by Jordan Peele. The result of data analysis show that racism constructed by three elements there are dialog, characterization and plot. And stereotype of racism that appeared in Get Out movie is discrimination, prejudice and violence. From the finding of data analysis, it can be concluded that the result of the research is that Get Out movie have a racism content with suitable features that match with the theory. Therefore, it is clear and not surprising if the work indeed has the impression of “racist”, since most of literary work with racism issue does have that kind of impression to the readers or the spectators.Keywords: racism, sociology of literature, movie script
As Quiet As Night, As Cheerful As Day : Case-Solving Patterns in Enola Holmes (2020) and Sherlock Holmes (2009) Films and the Influence of Color on the Case Nazwa Maritzsa Wahyudin; Hasbi Assidiqi; Dian Nurrachman
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 1 (2025): MARCH
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i1.43374

Abstract

Enola Holmes and Sherlock Holmes produce different shows within the same genre. This research aims to discover the differences in case-solving techniques between Enola and Sherlock Holmes. The appropriate method for this research is qualitative using literary criticism. The researcher only focused on the films and reference sources to find out the case-solving patterns and the influence of color in Enola Holmes and Sherlock Holmes. The findings are that Enola uses more case-solving techniques, such as wordplay and intuition, and prioritizes feelings. The colors displayed also look more cheerful with a combination of bright colors. Whereas, Sherlock uses more deductive abilities with a focus on goals without involving his feelings by using dark colors that make him look serious and dark. In his every action, there is no hesitation at all. This research proves the difference between Sherlock and Enola in solving cases and the fact that colors are not just aesthetics but can also support the narrative, which then creates a deeper message and atmosphere.
Co-Authors Deni Sepna Nurhadi Dian Nurrachman Nazwa Maritzsa Wahyudin