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Hastianah Hastianah
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EUFEMISME KASIPALLI PADA MASYARAKAT MAKASSAR (Euphemism of Taboo in Makassarese Society) Hastianah Hastianah
SAWERIGADING Vol 20, No 3 (2014): Sawerigading
Publisher : Balai Bahasa Sulawesi Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/sawer.v20i3.43

Abstract

AbstractThe research intends to describe euphemism in Makassarese society. It applies descriptive method withinterviewing and listening-speaking involving technique. Furthermore, data is analyzed qualitatively usingsemantic approach. Result of research shows that euphemism forms of taboo in Makassarese society foundare (a) euphemism in farmer’s community, (b) euphemism in fishermen’s community, (c) euphemism in seller’scommunity, and (d) euphemism in circumstance’s community. Besides proposing euphemism form, the researchalso finds out euphemism classification implying taboo values like (a) taboo of being afraid, (b) taboo of beingconsidered rough, and (c) taboo of being considered impolite.
KATEGORI SINTAKSIS ALIH KODE DI KECAMATAN PALLANGGA KABUPATEN GOWA: SOSIOLINGUISTIK INTERAKSIONAL) (Syntactic Category of Code Switching in Pallangga Subdistrict Gowa Regency: Interactional Sociolinguistic) Hastianah Hastianah
SAWERIGADING Vol 21, No 3 (2015): Sawerigading
Publisher : Balai Bahasa Sulawesi Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/sawer.v21i3.90

Abstract

The research’s purpose is to describe syntactic category of code switching in Makassarese-Indonesia language in buying and selling process of pagandeng. It is descriptive qualitative method. Data of the research is spoken and written data obtained by library and field study. Library research uses tapping participatory, recording, and noting technique. The data is analyzed based on interactional sociolinguistic. Result of analysis uncovers that syntactic category of code switching symptom in pagandeng community consists of three parts, they are:a) word order, b) word form, and c) intonation.