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Ida Bagus Made Satya Wira Dananjaya
Universitas Mahendradatta
Social Sciences

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Kedudukan Perempuan Dalam Hinduisme Ida Bagus Made Satya Wira Dananjaya
Jurnal Ilmiah Cakrawarti Vol 1, No 2 (2018)
Publisher : Universitas Mahendradatta Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2222.624 KB) | DOI: 10.47532/jic.v1i2.19

Abstract

Women are the sex that gets the most attention in the world compared to the opposite sex, namely men. Cognitive maps “about women” seemed to be viral in all ages. Hardiman noted that the condition and position of women in pre-historic times related to the perception and division of gender-based work was far more egalitarian compared to the beginning of the century until now. Women in pre-history times are perceived to be the same as men, even though it has entered the domestic domain domestic work for women is only temporal-positional. Women are chosen to look after children, gather food because it requires energy for it, in short there is no exploitation.Likewise Fromm stated that before the Patriarchate period women appeared despite work- ing on domestic work but their social position was not asymmetrical. As the times pro- gressed in almost every country beginning in the 17th century there was an intellectual rebellion against women’s social position. Britain, France, America initiated intellectu- al movement through poetry, short stories, women’s associations and in Indonesia this movement was initiated by R.A Kartini, Dewi Sartika, Goesti Ayu Rai etc. Women feel that their position is not the same as that of men, this brings the excess of their weak so- cial position, gender-based division of labor is more exploitative than temporal-positional. This brief description brings a question formulation, does religion have a positive impact on women’s social position in society? This paper wants to provide one answer in the form of argumentation about the position of women in Hinduism.
Politik Identitas Di Tengah Dualisme Kultural Ida Bagus Made Satya Wira Dananjaya
Jurnal Ilmiah Cakrawarti Vol 1, No 1 (2018)
Publisher : Universitas Mahendradatta Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (221.32 KB) | DOI: 10.47532/jic.v1i1.108

Abstract

Identitas merupakan hal yang sangat penting bagi suatu Negara. Identitas tidak pernah diciptakan dalam ruang kosong, identitas tidak hanya terberi tetapi juga menjadi, selalu dikosntruksi, didekonstruksi dan direkonstruksi secara terus menerus tidak berkesudahan, terlebih dijaman global yang juga disebut bersifat dualisme kultural, sehingga identitas juga disebut proyek kebudayaan Tulisan ini menyajikan konstruksi identitas sebagai langkah politis di tengah dualisme kultural.
Telaah Teoritis Dalam Tindakan Sosial Ida Bagus Made Satya Wira Dananjaya
Jurnal Ilmiah Cakrawarti Vol 4, No 1 (2021): Jurnal Ilmiah Cakrawarti
Publisher : Universitas Mahendradatta Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47532/jic.v4i1.244

Abstract

Agama memiliki Ketahanan terhadap arus peradaban yang pada era Renaisans melahirkan Ilmu pengetahuan modern seturut dengan teknologi dan sistem birokrasi instrumental. Meminjam gagasan perkembangan berikutnya, meminjam gagasan Lyotard bahwa masyrakat telah terkomputasi dimana sistem-sitem sosial bahkan budaya kini lebih terlembaga, terprogram, tersistematisasi, sekaligus tergantung dengan teknologisasi. Seluruh kehidupan bergantung pada alat yang kita miliki, namun demikian dalam ketergantungan itu agama tetap memiliki peranan dalam kehidupan sosial. Eksistensi agama memberi gambaran bahwa betapa manusia merasa Ilmu Pengetahuan dan Teknologi tidak menjawab seluru persoalaan kemanusiaan.
Agama Hindu Bali Dalam Kontestasi Budaya Ida Bagus Made Satya Wira Dananjaya
Jurnal Ilmiah Cakrawarti Vol 2, No 1 (2019)
Publisher : Universitas Mahendradatta Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (239.696 KB) | DOI: 10.47532/jic.v2i1.113

Abstract

Traditions that have been going on for so long and acknowledged their sacredness,tradition provides a reference to life with repetitive rhythms, the majesty of harmony,thus abandoning conflict. Religion gives sacred values to the tradition so that it can gainreinforcement at the mental level into a socio-mythical space. Whereas modernity haveinjects for new ideas, which have an implication of the melting of the state barrier. Modernityunfolds human consciousness about time which is no longer repetitive but is linear,no longer sacred but secular where creative progress and alternatives are created. Traditionand Religion is a mythical-expressive culture that is challenged by progressive-creativeglobal culture coming through tourism. The politics of synergy has been carried outfor a positive vision for people’s lives. However, these three factors cannot be reconciledjust like that, cultural contestation becomes a necessity.
Acara Bedah Rumah: Reduksi Orientasi Hidup “Menjadi” Ke Hidup “Memiliki” Ida Bagus Made Satya Wira Dananjaya
Jurnal Ilmiah Cakrawarti Vol 3, No 1 (2020)
Publisher : Universitas Mahendradatta Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (74.007 KB) | DOI: 10.47532/jic.v3i1.137

Abstract

Poor or pre-prosperous (henceforth will be called poor for the opposite of the wordrich or prosperous) is clearly not an ideal especially the purpose of life, seeing the shock ofadvertisements and electronic cinema that displays thick boundaries between rich-poor certainlyrich more tempting and tantalizing. Fantasy of life Rich men fall in love with poor women apartfrom predictable story lines implying a desire for rich is more highlighted on television.Likewise, the rich who are kind or evil, also against the character of the poor, almost becomedecoration on television. Rich character means to have while poor does not have. In short, inIndonesian television, these two socio-economic identities are always clashed, swiped at thesame time triggering micro commotion. Having various coefficient facilities by laying offconvenience, fame, elite, that is the picture of being rich on television, but it does not mean thatthe opponents of the rich are liable or not figures. main. The film Cemara Family, at least candisturb the established storyline of the confrontation of the rich and the poor. The poor figureplayed by Abah and his family gets the most camera shots about the trinkets of his life.Simplicity is even more to the disadvantages, selling snacks while schooling, a pedicab driver isa picture of Abah's life and family. The question then is to sell poverty on television? or aquestion that requires a more technical answer to how poor can be sold on television?
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