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I Dewa Gede Kusuma
Universitas Mahendradatta
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Wacana Pariwisata Bali Dalam Pusaran Pandemi Covid-19 I Dewa Gede Kusuma
Jurnal Ilmiah Cakrawarti Vol 3, No 2 (2020)
Publisher : Universitas Mahendradatta Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (555.27 KB) | DOI: 10.47532/jic.v3i2.199

Abstract

Balinese people still depend on economy on tourism sector. This could become big problems because during Covid-19 pandemic, tourists are still not allowed to to visit other countries, especially Indonesia.This research used three theories, namely Michel Foucalt’s Power and Knowledge Theory, Jacques Derrida’s Deconstruction Theory, and Antonio Gramsci’s Hegemony Theory. The big swirl of the Covid-19 pandemic gave impacts to the tourism industry, agriculture, and other macro and micro sectors in Bali. Many tourism attractions experienced a decrease. This situa- tion became a tourism discourse that was very interesting to be studied.The Bali public which was very crowded with tourists has turned into a silent place. However, this pandemic would end although they are not sure when, but the people in Bali have their own way to survive. Many of them sell food and do other business.The effect of the Covid-19 pandemic closes many hotels and restaurants, work termination and finally, this leads to the people’s economy. This situation is explored deeper outside the shining tourism, that the needs of new jobs, food security, and education access are needed by the Balinese behind the pandemic problems.
Musik Indie Sebagai Praktik Perlawanan Terhadap Rencana Reklamasi Teluk Benoa, Bali I Dewa Gede Kusuma
Jurnal Ilmiah Cakrawarti Vol 3, No 1 (2020)
Publisher : Universitas Mahendradatta Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (97.432 KB) | DOI: 10.47532/jic.v3i1.133

Abstract

This study aimed at analyzing indie music movement as an anti-reclamationmovement at Benoa Bay, Badung Regency, in 2013 – 2018. There were three problems analyzedin this study; the representation of indie music as a resistance practice towards Benoa Bayreclamation plan, the ideology behind the music as a resistance practice towards Benoa Bayreclamation plan, and the significance of the resistance practice towards Benoa Bay reclamationplan. This study applied qualitative method with interviews, document studies and observation astechniques of collecting data. The obtained data were analyzed by using the theories ofKnowledge Power, Practice and Semiotics.There were three conclusions drawn from the analysis. Firstly, in its movement ofrefusing reclamation plan at Benoa Bay, the indie music made efforts to represent people’saspirations through the lyrics of the songs performed in the anti-reclamation demonstrations.Through the articulation of the anti-reclamation message in music, the people felt that theiraspirations were represented in the music. Secondly, the ideology behind the anti-reclamation movement was environmental conservation ideology and culture. The lyrics of the songsarticulated that the reclamation would damage the environment and disrespectful to the Balineseculture. Thirdly, the significance of the indie music’s resistance practice was seen from theintense aspirations from the people to cancel Presidential Regulation 51 in 2014, so thatreclamation plan could be cancelled.
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