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All Journal Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora AKSIOLOGIYA : Jurnal Pengabdian Kepada Masyarakat Inobis: Jurnal Inovasi Bisnis dan Manajemen Indonesia Atrat: Jurnal Seni Rupa Jurnal Kawistara
Ninik Juniati
Desain Fashion Dan Produk Lifestyle, Fakultas Industri Kreatif, Universitas Surabaya
Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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GAPURA WRINGIN LAWANG SEBAGAI IDE PENCIPTAAN KARYA SENI MACRAMÉ Ninik Juniati; Ardeliah Tjiptawan
ATRAT: Jurnal Seni Rupa Vol 7, No 3 (2019): IMPLEMENTASI IDENTITAS BUDAYA LOKAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v7i3.971

Abstract

Wringin Lawang gapura (gate) is the entrance of all temples in Trowulan region in Mojokerto. It is unique  since it is layered and made entirely of red bricks. The brick arrangement detail of the gapura is an artistic inspiration for a macramé artwork. The purpose of this study is to combine elements of a local genius in the form of a typical East Java temple gate and an ancient art originated in Near Eastern Origin region in the form of a  wall hanging macramé. Overall the finished work is consistent with its design in terms of the amount of detail and parts of the macramé such as the layers. Thus, to overcome the shortcomings of the macramé, adding knot details to the tighter layers and or adding material such as beads or other materials that match the inspiration in the middle of the cord span to reduce the asymmetrical form of detail. A rip effect made the cord span more stable. Keywords : Wringin Lawang Gapura, Macramé, Wall Hanging___________________________________________________________________ Gapura Wringin Lawang merupakan pintu masuk dari semua candi yang ada di kawasan Trowulan, Mojokerto. Dia memiliki keunikan dari bentuk bertingkat-tingkat dan terbuat dari batu bata merah. Detail susunan batu bata pada gapura inilah menjadi inspirasi sebagai ide penciptaan karya seni macramé. Tujuan karya ini untuk memadukan unsur kearifan lokal bentuk gapura candi khas Jawa Timur dengan teknik macramé yang ada pada peradaban kuno Mesopotamia, Mesir kuno dan sekitarnya dengan bentuk wall hanging. Hasil karya ini disesuaikan dengan konsep desain secara detail dengan bagian-bagian seperti undakan. Material tambahan diletakkan di tengah bentangan tali untuk mengurangi bentuk detail yang tidak simetris, meminimalisir efek koyakan, sehingga membuat bentangan tali menjadi lebih stabil.Kata Kunci: Gapura Wringin Lawang, Macramé, Hiasan Dinding
Pemberdayaan Masyarakat Sebagai Faktor Pengungkit Pengembangan Desa Wisata: Studi Kasus pada Wisata Sawah Sumber Gempong Veny Megawati; Andhy Setyawan; Hari Hananto; Hayuning Purnama Dewi; Njoto Benarkah; Aloysius Hery Pratono; Ninik Juniati
INOBIS: Jurnal Inovasi Bisnis dan Manajemen Indonesia Vol. 5 No. 4 (2022): INOBIS: Jurnal Inovasi Bisnis dan Manajemen Indonesia - Edisi September 2022
Publisher : Forum Inovasi Bisnis dan Manajemen

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (598.839 KB) | DOI: 10.31842/jurnalinobis.v5i4.251

Abstract

Pengembangan potensi desa menjadi desa pariwisata menjadi salah satu fokus pemerintah pusat dalam meningkatkan taraf hidup masyarakat. Pengembangan pariwisata tidak terlepas dari persepsi dan dukungan komunitas didalamnya. Dukungan komunitas terhadap pengembangan pariwisata dapat dijelaskan dalam kerangka pikir ekonomi maupun non ekonomi. Peran masyarakat sebagai bagian komunitas yang berfokus pada pendekatan ekonomi, yakni sisi manfaat dan biaya dijelaskan dalam perspektif Social Exchange Theory (SET). Selain faktor ekonomi, faktor non ekonomi juga menjadi pertimbangan yang tak kalah pentingnya dalam pengembangan desa wisata. Pemberdayaan masyarakat desa menjadi faktor pengungkit non ekonomi yang penting untuk menggerakkan perubahan ke arah pengembangan desa wisata. Bertumpu pada Resident Empowerment through Tourism (RETS), penelitian ini berupaya mengungkap peran pemberdayaan masyarakat desa pada wisata sawah Sumber Gempong dalam ranah pengembangan desa wisata. Desain penelitian kualitatif dengan teknik field research dipilih untuk menelaah empat dimensi pemberdayaan masyarakat meliputi personal economic benefit, psychological empowerment, social empowerment, dan political empowerment. Data diperoleh melalui wawancara dan observasi pihak terkait, misalnya pemerintah desa (Kepala Desa dan jajarannya), BUMDesa Mutiara Welirang (Direktur, Manajer dan staff), serta masyarakat lokal pelaku wisata. Hasil penelitian menunjukkan adanya peran postif empat dimensi pemberdayaan masyarakat sebagai faktor pengungkit terhadap pengembangan desa wisata.
The Function and Meaning of Tope’ le’leng in the Death Ritual of The Kajang Tribe, South Sulawesi Ninik Juniati
Jurnal Kawistara Vol 12, No 3 (2022)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.72740

Abstract

Tope’ le’leng in the Kajang language means black sarong and is a typical sarong of the Kajang tribe worn by men and women, both for daily wear and worn at various ceremonies held by this tribe. The study of tope’ le’leng has been quite a lot. Still, no one has discussed its function and meaning in the death ritual of the Kajang tribe, considering that tope’ le’leng has been recognized as one of the Kajang tribe’s identities among other tribes in Indonesia. This study examines the function and meaning of Tope’ le’leng in death rituals, starting from when the corpse was still at home, funeral preparation, funeral processions, and follow-up rituals until 100 days. This research used an ethnographic approach with descriptive analysis. Data analysis used triple pattern (Pola Tiga) theories in Paradoxical Aesthetics from Jakob Sumardjo. The data sources in this study are Tope’ le’leng, the funeral ritual itself, the shaman who led the death rituals, and the local community who followed the funeral ritual. Data collection techniques used participatory observation and interviews. The results showed that Tope’ le’leng functioned as an object of donation, a sign of grief. It is a marker of a family of mourning (not wearing clothes other than tope’ le’leng) as a ritual object to cover the bamboo coffin and Pammorangan. Tope’ le’leng, as a ritual object, shows the social strata or economic level of the grieving family in the community. The Kajang people believed that the deceased spirit could see the family and the shaman as long as they did not wear clothes other than tope’ le’leng for 100 days. As one of the ritual and sacred objects, tope’ le’leng has presented a moment of transcendence and belief in the existence of spirits in death rituals. Based on the triple pattern theory (Pola Tiga), namely the relationship between the upper, middle, and lower worlds. Tope’ le’leng has another function as a relationship connector between God, man, and nature.  The simplicity of its form and composition does not detract from its function and meaning and even reinforces its sacredness as a ritual object in patuntung beliefs.
Penggunaan Teknik Wrap and Drape untuk Meningkatkan Minat Berkain Batik pada Masyarakat Desa Bejijong Ninik Juniati; Christabel AP; Veny Megawati; Hari Hananto; Njoto Benarkah
Aksiologiya: Jurnal Pengabdian Kepada Masyarakat Vol 7 No 3 (2023): Agustus
Publisher : Universitas Muhammadiyah Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30651/aks.v7i3.8896

Abstract

Keberadaan kerajinan Batik di Desa Bejijong saat ini sedang mati suri dan dirasakan oleh masyarakat setempat, para perajin, penjual maupun pelaksana wisata edukasi membatik. Rendahnya hasil penjualan kain batik yang dipasarkan secara konvensional yaitu dengan cara dipamerkan di etalase toko pribadi, pusat oleh-oleh dan pameran. Melemahnya industri Batik di desa ini karena kurangnya minat masyarakat untuk memiliki kain batik dan berkain batik. Tujuan dari Program Pengabdian kepada Masyarakat (PKM) ini adalah meningkatkan minat masyarakat untuk memiliki dan mau memakai kain Batik serta mengembangkan ide kreatif terkait visual merchandising yang dapat membantu para perajin Batik khas Bejijong menjual produksinya. Metode yang digunakan adalah pendampingan secara online dengan menggunakan media video tutorial tentang Teknik Wrap and Drape dan lomba modifikasi berkain batik yang diadakan secara online. Hasil pendampingan menyatakan bahwa Teknik Wrap and Drape dalam berkain batik dapat menjadi solusi untuk meningkatkan minat masyarakat untuk menambah koleksi kain Batik dan mau berkain batik dengan cara yang lebih modern, peserta lomba menjadi menjadi lebih kreatif dalam berbusana khususnya berkain batik. Ide-ide kreatif yang muncul melalui teknik ini dapat dimanfaatkan menjadi salah satu teknik pemasaran kain Batik Khas Bejijong yang lebih kreatif.
The Function and Meaning of Tope’ le’leng in the Death Ritual of The Kajang Tribe, South Sulawesi Ninik Juniati
Jurnal Kawistara Vol 12, No 3 (2022)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.72740

Abstract

Tope’ le’leng in the Kajang language means black sarong and is a typical sarong of the Kajang tribe worn by men and women, both for daily wear and worn at various ceremonies held by this tribe. The study of tope’ le’leng has been quite a lot. Still, no one has discussed its function and meaning in the death ritual of the Kajang tribe, considering that tope’ le’leng has been recognized as one of the Kajang tribe’s identities among other tribes in Indonesia. This study examines the function and meaning of Tope’ le’leng in death rituals, starting from when the corpse was still at home, funeral preparation, funeral processions, and follow-up rituals until 100 days. This research used an ethnographic approach with descriptive analysis. Data analysis used triple pattern (Pola Tiga) theories in Paradoxical Aesthetics from Jakob Sumardjo. The data sources in this study are Tope’ le’leng, the funeral ritual itself, the shaman who led the death rituals, and the local community who followed the funeral ritual. Data collection techniques used participatory observation and interviews. The results showed that Tope’ le’leng functioned as an object of donation, a sign of grief. It is a marker of a family of mourning (not wearing clothes other than tope’ le’leng) as a ritual object to cover the bamboo coffin and Pammorangan. Tope’ le’leng, as a ritual object, shows the social strata or economic level of the grieving family in the community. The Kajang people believed that the deceased spirit could see the family and the shaman as long as they did not wear clothes other than tope’ le’leng for 100 days. As one of the ritual and sacred objects, tope’ le’leng has presented a moment of transcendence and belief in the existence of spirits in death rituals. Based on the triple pattern theory (Pola Tiga), namely the relationship between the upper, middle, and lower worlds. Tope’ le’leng has another function as a relationship connector between God, man, and nature.  The simplicity of its form and composition does not detract from its function and meaning and even reinforces its sacredness as a ritual object in patuntung beliefs.
Co-Authors Aloysius Hery Pratono Andhy Setyawan, Andhy Ardeliah Tjiptawan Christabel AP Hari Hananto Hayuning Purnama Dewi Njoto Benarkah Veny Megawati