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Revitalisasi Identitas Diri Komunitas Masjid Saka Tunggal Banyumas, Masjid Raya Al Fatah Ambon, dan Masjid Agung Jami’ Singaraja Bali dalam Perubahan Budaya Global Salehudin, Ahmad
Religió: Jurnal Studi Agama-agama Vol 8 No 1 (2018): March
Publisher : Program Studi Studi Agama-Agama, Fakultas Ushuluddin dan Filsafat, Universitas Islam Negeri (UIN) Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (288.135 KB)

Abstract

This study examines how three communal mosques: Masjid Saka Tunggal Cikakak Banyumas, Masjid Raya Al Fatah Ambon, and Masjid Agung Jami’ Singaraja respond toward globalization. Globalization that is characterized with the territorial demarcations of states’ administration jurisdiction, political currents, economic strata, and religions has shaped global villages with cultural homogeneity as its estuary. Strong cultures tend to crush the vulnerable cultures. These conditions tend to generate a dilemma for the existence of an identity, including the identity of communal mosques. However, communal mosques are not merely a set of inanimate objects which can only passively accept external influences. They are a collection of beings who “tactically” respond to the “strategy” of the global cultural cooptation. The result of this study reveals that communal mosques become a collective awareness of each its individual to respond to and live the life amidst the increasingly uncontrollable wave of global cultures. Global cultures, as long it benefits, are adapted and adopted to strengthen their communal identity and, otherwise, left when they bring disadvantages. In order to protect communal identities, the result of this study offers three ways: habituation and institutionalization of the communal identity, reinforcing the ancestral authority, and affirming the institutional vision and mission. [Penelitian ini mengkaji respon tiga komunitas masjid, yaitu Masjid Saka Tunggal Cikakak Banyumas, Masjid Raya Al Fatah Ambon, dan Masjid Agung Jami’ Singaraja terhadap globalisasi. Globalisasi yang ditandai oleh menghilangnya batas-batas administrasi negara, aliraan politik, strata ekonomi, dan agama telah membentuk kampung global dengan homogenisasi budaya sebagai muaranya. Budaya yang kuat cenderung menggilas budaya yang lemah. Kondisi ini cenderung melahirkan dilema bagi eksistensi identitas, termasuk identitas komunitas masjid. Namun demikian, komunitas masjid bukanlah sekumpulan benda mati yang hanya bisa pasrah menerima pengaruh luar, tetapi sekumpulan mahluk hidup yang “taktik” untuk merespon “strategi” kooptasi budaya global. Hasil penelitian menunjukkan masjid-masjid komunitas menjadi collective awareness para individu untuk merespon dan menjalani kehidupan di tengah samudra budaya global yang semakin tak terkendali. Budaya global diadaptasi dan diadopsi selama bermanfaat untuk menguatkan identitas komunitasnya, dan bersikap acuh jika tidak sesuai atau membahayakan. Untuk melindungi identitas komunitasnya, ada tiga hal yang dilakukan, yaitu melalui pembiasaan dan pelembagaan identitas komunitas, meneguhkan otoritas leluhur, dan peneguhan visi misi lembaga.]
Remembering the Seven-Word of The Jakarta Charter: The Challenging Risk of Indonesian Today Salehudin, Ahmad
Ijtim?'iyya: Journal of Muslim Society Research Vol 3 No 2 (2018)
Publisher : Postgraduate Program, State Institute on Islamic Studies Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (295.99 KB) | DOI: 10.24090/ijtimaiyya.v3i2.1922

Abstract

This article aims to discuss the remembering phenomenon of the seven words of the Jakarta Charter. Even though it happened in early Indonesia independent era, the rejection of deleting the seven words of Jakarta Charter still exists until now. The seven words abolition of the Jakarta Charter became myths and rites that used by Islamic fundamentalist groups to bring back past memories in Indonesia today. In the process, it became a collective or social memory among Muslim Fundamentalist group, and it gives great energy, and also dreaming, to the fundamentalist Islamic groups to struggle to remake Indonesia as Islamic State. In Indonesian history, it is a big problem because of two reasons. Indonesia is not Islamic state. Beside that this group also is not only using constitutional ways, but also unconstitutional ways, such rebellion, religious terror, and hijacking. Therefore we need to reshape and reconfigure the memory of deleting the seven words of the Jakarta Charter.
Artists Religiosity on Social Media: Between Rules, Religious Commudification and Media Capitalism Ulya, Inayatul; Salehudin, Ahmad
Ijtimā iyya Journal of Muslim Society Research Vol. 8 No. 2 (2023)
Publisher : Postgraduate, State Islamic University Prof. K.H. Saifuddin Zuhri Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/ijtimaiyya.v8i2.9206

Abstract

This article analyzes the artist's religiosity on social media. The symbols of obedience to religion are often displayed by artists in various activities broadcasted on social media both when playing as an actor in a social media show or in their actual life that is covered on social media. The piety is shown by dressing sharia clothes, performing umrah, sponsorsing orphans program, follow Islamic sermon and others. The artist's religious expression holds the meaning, whether the motive is actually behind what is seen on social media, whether purely as part of religious obidience, or there is a religious commodification and media capitalism deliberately displayed to generate greater public viewer which subsequently increase revenue for media corporation. this study will use a phenomenological approach to understand the true meaning behind reality seen on social media. While the dramaturgy theory is used to analyze the religiousity of the artist on social media. Dramaturgy theory by Erving Goffman there is the concept of front stage and back stage. Front stage to explain the artist's visible visibility on social media, while back stage to explain the true artist's life (behind the scenes), so it can be mapped the artist's religiosity -as a religious obedience-, as part of the religious commodification or media capitalism.