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Racial Oppression, Black Consciousness and the Quest for Freedom in Peter Abrahams’ Mine Boy (1946) Babacar Diakhaté
Budapest International Research and Critics in Linguistics and Education (BirLE) Journal Vol 3, No 3 (2020): Budapest International Research and Critics in Linguistics and Education, August
Publisher : BIRCU

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birle.v3i3.1201

Abstract

The white South African capitalist system deprived the rural population of their lands. This deprivation of their cultivating lands engendered the displacement of the proletariat class to the city to find a better life. In 1946, Peter Abrahams released Mine Boy to denounce the exploitation and oppression of the blacks by white people. This article aims at castigating the inhuman treatment reserved for Xuma, a village rural boy who goes to Johannesburg to improve his economic situation in the mine. Xuma’s predicaments and Johannes and Chris’ deaths in the mines illustrate the brutal attitudes of the white bosses towards their mineworkers. The rising consciousness of the mineworkers leads them to a perpetual liberation struggle that finally ends in their historical freedom.
Political Activism and Family Matters in Nadine Gordimer‘s My Son’s Story (1990) Babacar Diakhaté
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 4, No 1 (2021): Budapest International Research and Critics Institute February
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v4i1.1530

Abstract

Before independence, South Africa experienced her most socio-political turbulences because of Apartheid. Peter Abrahams, John Maxwell Coetzee and Nadine Gordimer depict racial discrimination, political and sexual violence and social injustice in the context of Apartheid.  The aims of this article is to portray “political affairs”, “family matters” and private passions in Nadine Gordimer’s My Son’s Story. It also brings to light Sonny’s motivation to become a political activist and join the blacks in the resistance against racial discrimination.
Africa and the West: Between Tradition and Modernity in Shimmer Chinodya’s Dew in the Morning (1982) and Ngugi WA Thiongo’s weep Not, Child (1964) Babacar DIAKHATÉ
Budapest International Research and Critics Institute (BIRCI-Journal): Humanities and Social Sciences Vol 3, No 2 (2020): Budapest International Research and Critics Institute May
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v3i2.1009

Abstract

European colonizers have impoverished Africans for spoiling their natural resources. African Anglophone writers such as Shimmer Chinodya and Ngugi WA Thiongo respectively in Dew in the Morning and Weep Not, Child devote most of their writings to land issues and cultural alienation. The aim of this article is to display the strategies of the White man to achieve his objective, and the contribution of his black collaborators to take Africans’ lands. It also reveals the importance of African traditional practices in the resistance against colonialism. Finally, it shows the perpetual quest of western education by Africans to “beat the white in his own game”.