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TRADISI LUKAH GILO MASYARAKAT BONAI KABUPATEN ROKAN HULU:PEMBELAJARAN ANALISIS SEMIOTIKA Misra Nofrita; Hermawan Hermawan
JURNAL PENDIDIKAN ROKANIA Vol 3 No 3 (2018): Jurnal Pendidikan Rokania
Publisher : STKIP ROKANIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (150.752 KB)

Abstract

This study aims to describe the oral tradition of the Luka Gilo Bonai community which was analyzed in terms of semiotics. This study uses a qualitative approach. The method used is descriptive analysis. The data source is the Bonai community. The data in this study are in the form of tools, words, sentences, and oral traditions of the Bonai community. The results of this study are in the form of semiotic meanings contained in ritual performances if gilo socially has the meaning as maintaining the interrelated social integration fabric. Another meaning of ritual lukah gilo is an expression of the fabric of communication between the human world and the unseen world
Rima dalam Nyanyian Onduo Anak Rokan di Kabupaten Rokan Hulu Riau Nuratika Nuratika; Misra Novita; Rita Arianti; Asih Ria Ningsih; Hermawan Hermawan; Muslim Muslim
Lingua Susastra Vol 4, No 1 (2023)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v4i1.141

Abstract

Traditional singing as a cultural asset serves to store classical community knowledge and their views on the way of life. Traditional singing can be categorized according to its function and purpose. The Onduo Anak Rokan song is one of the traditional songs aimed at the younger generation from a set of experiences of the older group. This study aims to describe the form of rhyme in the songs of Onduo Anak Rokan in Rokan Hulu Regency, Riau Province. The research method used is descriptive qualitative. The data were obtained through interviews, observation, recording, and writing down the lyrics of the singer's song Onduo anak Rokan. The data analysis method is structural analysis which refers to Pradopo's perspective (2010) regarding rhyme forms. The results showed that there were six types of rhyme forms in Onduo anak Rokan's songs, namely initial rhyme, final rhyme, full/perfect rhyme, half/imperfect rhyme, alliteration rhyme, and asonance rhyme. The rich rhymes in Onduo Anak Rokan songs show that traditional literature has a consistent and structured aesthetic.