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All Journal Jurnal CULTURE (Culture, Language, and Literature Review)
Sintaria Kusumaningrum
Yayasan Sekolah Kristen Indonesia Semarang
Humanities Education Languange, Linguistic, Communication & Media

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KORESPONDENSI FONEMIS BAHASA OGAN DAN BAHASA BANGKA: KAJIAN LINGUISTIK HISTORIS KOMPARATIF Nikolaus Rendi Prasetya Hadi; Sintaria Kusumaningrum
Jurnal CULTURE (Culture, Language, and Literature Review) Vol. 7 No. 2 (2020): Jurnal CULTURE (Culture, Language, and Literature Review)
Publisher : Universitas Aki

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53873/culture.v7i2.222

Abstract

The objects of this research are Organese and Bangkanese language. The objectives of this research are to describe phonemic correspondence of Organese and Bangkanese language, and to compare the phonemic correspondence formula of both languages. The data of this research are phonemes from both languages which was gathered using dictionary study method with taking-note technique. The phoneme data searched were phonemes in which they have correspondence value. There are several findings in this research, they are: (1) proto-phoneme */u/ retained in Bangkanese, while in Organese is reflected as phoneme /o/. The reflection occurs in closed-ultima positions, if followed by bilabial plosive-stop /m/, nasal dorso-velar /ŋ/, glottal slide /h/. dorso-velar plosive-stop /k/, and apicodental plosive stop /t/; (2) proto-phoneme */a/ retained in Organese, while in Bangkanese is reflected as /Ə/. The reflection occurs in closed-ultima positions, if followed by bilabial plosive-stop /p/, glottal slide /h/, apico-lateral /r/, nasal dorso-velar /ŋ/, bilabial plosive-stop /m/, apicodental plosive-stop /t/, lateral /l/, nasal apico-alveolar /n/, and glottal plosive-stop /Ɂ/; and (3) proto-phoneme */h/ retained in Bangkanese, while in Organese is either reflected as /ø/ or being eliminated. The particular reflection occurs in penultima positions, if followed by vowels /a/, /i/, and /u/.
Co-Authors Nikolaus Rendi Prasetya Hadi