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KARAKTER ANTI-HERO SEBAGAI COUNTER-HEGEMONI SUPERHERO DALAM FILM DEADPOOL: ANALISIS COUNTER-HEGEMONI ANTONIO GRAMSCI Muhammad Fathan Zamani; Abi Ihsanullah; Badri Badri
Jurnal CULTURE (Culture, Language, and Literature Review) Vol. 8 No. 2 (2021): Jurnal CULTURE (Culture, Language, and Literature Review)
Publisher : Universitas Aki

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53873/culture.v8i2.264

Abstract

Myth is an essential part in superhero roles. In modern superhero acts, a character may possess more than one myth. Thus, this portrayal is an ideal power to create supremacy. An author, even a director could employ the newly-created myth to overcome hegemonic power. As stated in Gramsci, there is an instrument to control, even surpass ideology. In the Deadpool 1 & 2 movie, the myth of superheroes is interpreted as the instrument of hegemony. The aims of this study are to find out what kind of superhero hegemony that will be countered in the Deadpool movie, what are the counter hegemony element in the Deadpool movie, and how are the Deadpool’s effort and his preparations doing ideological battle against the superhero existence. This research uses hegemony and counter-hegemony theory according to Antonio Gramsci. This research applies descriptive qualitative method. The findings are Deadpool’s act of violence and his merc-with-mouth assuming his role as an anti-hero. However, Deadpool finally encountered the existing myth of superheroes ideologically. Unexpectedly, Deadpool offers a solution to the existing hegemony.
“The Forbidden Kingdom”: Dari Representasi sampai Dependensi Kajian Orientalisme Edward Said Badri Badri; Abi Ihsanullah; Lilis Heriyanti
JENTERA: Jurnal Kajian Sastra Vol 12, No 1 (2023): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v12i1.4711

Abstract

The objectives of this research are to describe the representation and the dependency of the East and West using Edward Said's Orientalism. This research uses a descriptive qualitative method. The data collection method uses library research. The researcher watched The Forbidden Kingdom movie, then read books and journals that related to the topic. Data analysis was carried out by descriptive analysis between the data obtained and the explanation of the theory. The findings are the author represents the East through Lu Yan, The Silent Monk, Warlord, and Monkey King. Lu Yan represents a lazy and irrational person, The Silent Monk represents a harbored suspicion person, Warlord represents a depravity and inhuman person, and Monkey King represents a foolish person. The author also represents the East through the forests which have high grass and the deserts which have extreme weather. These places are dangerous and not friendly. The author also represents the East through citizens who are irrational and love violence. The author describes dependency on East to West, through China to Jason, while Jason is pulled by the golden staff to China in order to make China peaceful. AbstrakTujuan dari penelitian ini adalah untuk menggambarkan representasi serta ketergantungan Timur dan Barat menggunakan teori orientalisme milik Edward Said. Penelitian ini menggunakan metode kualitatif deskriptif. Metode pengumpulan data menggunakan studi pustaka. Peneliti menonton film The Forbidden Kingdom kemudian melakukan pembacaan terhadap buku dan jurnal terkait dengan topik yang akan diteliti. Analisis data dilakukan dengan cara analisis deskriptif antara data-data yang diperoleh dengan penjelasan teori. Hasil dari penelitian ini yaitu pengarang merepresentasikan Timur melalui tokoh Lu Yan, Biksu Pendiam, Warlord, dan Raja Monyet. Lu Yan digambarkan sebagai sosok yang pemalas dan irasional, Biksu Pendiam digambarkan sebagai sosok yang memendam rasa curiga, Warlord digambarkan sebagai sosok yang bejat moral dan tidak manusiawi, serta Raja Kera digambarkan sebagai sosok yang bodoh. Pengarang juga merepresentasikan Timur melalui hutan yang mempunyai rerumputan tinggi dan padang pasir yang bercuaca ekstrim. Dua tempat ini berbahaya dan tidak bersahabat. Pengarang juga merepresentasikan Timur melalui kehidupan sosial warga yang irasional dan mendahulukan kekerasan. Pengarang merepresentasikan ketergantungan Timur terhadap Barat melalui China terhadap Jason yang diawali dengan ditariknya Jason oleh tongkat emas menuju China untuk membuat China damai kembali.