Fitri Murfianti
Institut Seni Indonesia Surakarta

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THE CREATION OF PATTERN OF MAIN CHARACTERS OF WAYANG BEBER FOR DESIGNING OF THE ICONOF PACITAN AS CITY OF TOURISM Agus Ahmadi; Sumadi Sumadi; Fitri Murfianti; Sri Murwanti
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Publisher : Universitas Sebelas Maret

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Abstract

Wayang beber is both of a of fine artwork and wayang/puppet show art. In this paper wayang beber is discussed from the point of view of art or craft art in making patterns as designs or references for the realization of works of art with several techniques to adjust the main ingredients. Wayang beber as the original traditional art of Pacitan which contains local wisdom that needs to be conservation efforts, research, creation and innovation.This effort is being done to make  wayang beber is suitable to be used as a source of ideas in the creation of the icon or logo of the Pacitan as a city of tourism. The process of creating this work through stages: problem identification, planning, drawing design, testing and implementation. The results of this drafting were aimed at improving, preserving Pacitan Wayang Beber, which is useful and widely known to the public. This paper is a part of the description of this Art Creation Research with the theme of design or design of tourist icons, through relief designs and sculptures, monument designs / monuments, city garden decoration works, with ideas of form, main characters, ornaments, arrangement patterns, stories and meanings Original Pacitan Wayang Beber. This description describes a part of the creation process in choosing the wayang beber scene, determining the main character, refining the shape and costume of the chosen figure to create a creative, innovative and meaningful Pacitan City Tourism Icon design. The relief works will be made using brass or copper plates. Ikon Pacitan's work can be done for the interior but is more appropriate for the exterior. Based on the identification of the selected wayang beber, the main characters of wayang beber Pacitan namely Dewi Sekartaji, Raden Panji, Naladerma and Tawangalun, were also found ornaments of various motifs of plants typical of Pacitan Wayang Beber. This main character is used as the main subject in the tourist icon design. The Pacitan City Tourism icon / logo is a new creation of wayang Beber combined with the form of gunungan wayang kulit and supplementary decorative motifs. The pattern resulted, is a relief. It was made of brass plate with carving technique and decorated with the technique of sunggingan or coloring by acrylic paint.
PHOTO : IDENTITY AND COMMODITY ON SOCIAL MEDIA INSTAGRAM Fitri Murfianti
Proceeding IICACS No 2 (2017)
Publisher : Proceeding IICACS

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Abstract

Many social media sites including instagram allow users to create a profile, upload, and share personal information, photos, music, videos, and other multimedia with their friends or followers’ networks. Photos have the ability to bring the image, so the photo becomes a favorite visual medium that is often used as a way of speaking and communicating among fellow netizens in social media instagram. Instagramer enjoyed such opportunity to make themselves visible to, and heard by, diverse audiences. This study is foccused on how people present their identity through their selected photograph in social media instagram. Drawing from the datas, this research has shown that each individual enter the mediated phase of selfrepresentation. Through the visual image of a photograph, the subject of the photo has their own mind to describe what kind of identity they want. Beside that, the creation of this identity is influenced by the pattern of social relations and interaction of the audience of the photographs. In other words, identity is something formed by society. So that "popular identity" is preferred by the community, a role model to create the identity of the photo owner in social media. Not only for the identity, Selebgram use their identity to get more follower. The number of followers make the best-selling instagram account owner is paid to promote various products, such as cosmetics, fashion, hijab, and gadget.Keywords : Photo, Identity, Dramaturgy, Commodification