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Journal : Serat Rupa: Journal of Design

RUMAH GADANG : RUANG DAN BUDAYA MAKAN DALAM SIKLUS HIDUP MASYARAKAT MINANGKABAU Vania Dwi Amanda Surya; Gregorius Prasetyo Adhitama
Serat Rupa: Journal of Design Vol 5 No 1 (2021): SRJD - JANUARY
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v5i1.2984

Abstract

Padang restaurants with specialty food rendang represent the Minangkabau's eating culture. The effect of modernization and media social in the eating culture has indistinct the origin of Minangkabau's eating culture and leads to the uniformity of design, mostly its space and physical elements in the traditional building. Whereas in the roots, eating activities according to the Minangkabau custom still carried out, such as Makan Bajamba. It is essential to study the origin of Minangkabau space and eating culture before learning design development. The main problem is how the relationship between space and eating culture in the life cycle of Minangkabau society carried out at Rumah Gadang. By using a mix-method, a qualitative approach is a case study at Rumah Gadang Istana Rajo Alam Tuanku Disambah and quantitative approaches using space syntax analysis on the dimensions of connectivity and integrity. Data were from literature studies, interviews, and direct observations on how Rumah Gadang facilitated eating activities. The result shows that Rumah Gadang effectively assisted the eating culture in the life cycle of its people. The space configuration in the process of eating activities is following the roles of women and men based on a matrilineal kinship system. The seat position rules for Minangkabau men from the matrilineal kinship system divided Ruang Lepas into smaller areas, marked by walls, columns, and seprah clothes. All space of eating activities is a social space where interactions took place as a reflection of Minangkabau customs. The space syntax analysis clarifies the relationship between space and eating activities based on the matrilineal kinship system and the social interactions that occur with the space used. For future research, the space syntax analysis is useful as a perspective to learn the relationship between space and culture.
IMPLEMENTASI INTERIOR NARATIF DALAM UPAYA MEMBANGUN NARASI ETNISITAS PADA MUSEUM NEGERI PROVINSI SUMATRA UTARA Minadiah Purba; Gregorius Prasetyo Adhitama
Serat Rupa: Journal of Design Vol 5 No 2 (2021): SRJD - JULY
Publisher : Faculty of Humanities and Creative Industries, Maranatha Christian University (formerly Faculty of Fine Arts and Design)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.28932/srjd.v5i2.2985

Abstract

Spanning eight ethnic cultures with different histories, the Province of North Sumatra keeps an abundance of historical stories, so it is significant to be able to build the narrative of ethnicity in the museum. The existence of the exhibition space that is still in the concept of a traditional museum makes the narrative in the cultural exhibition space in the museum has not yet developed. Narratives can build communication in creating understanding between humans and collections with story ideas conveyed. So that the narrative spatial approach is considered ideal to build a story. The purpose of this research is to be able to apply the interior of the narrative space through the context, content, scenarios, messages, and experiences of visitors. The method used in this study is a qualitative method summarized by the Design Thinking approach. The research data were obtained from literature studies, interviews, and direct observation of the exhibition room of the State Museum of North Sumatra. The result of this research is to create a maximum narrative in the exhibition space that will not be separated from the determination of Plot and Pace, arranged of Dramatic Arc, and the application of its presentation. The composition of the ethnic plot is divided into several life-to-death phases. Then determine the storyline includes a beginning, a muddle, and an end. And the last is the application of narrative elements, both the concept of content presentation to the setting of narrative media. So, by applying the narrative space approach in the North Sumatra State Museum, the presentation of ethnic narratives is more optimal and creates a different experience by playing with the emotions of visitors in each exhibition scenario.