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All Journal MAKNA: Jurnal Kajian Komunikasi, Bahasa dan Budaya MUDRA Jurnal Seni Budaya Jurnal Rupa Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain
Kahfiati Kahdar
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Studi Komparasi Partisipasi Dalam Proses Perancangan Material Terbarukan Eka Arifianty Puspita; Kahfiati Kahdar
JURNAL RUPA Vol 6 No 2 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i2.3788

Abstract

The participation approach has long been recognized in sustainable design projects. Some recent material innovations strive for demonstrating community participation in their design process to achieve a sustainable outcome. However, the terminology of participation can be perceived and implemented differently for actors involved in the process. Responding to the diverse understanding of participation, this paper tries to examine the implementation of participation in the making of two well-known renewable materials innovations, namely Totomoxtle and Pinatex. The methodology used in this research is a comparative descriptive which is analyzed through literature and comparative studies by referring to the ladder of participation theory by Arnstein, the form of participation by White, and the participation in design by Lee. Based on the analysis, there are different levels of participation held by actors and also various forms of participation occur in the design process. Moreover, the comparative studies also show that the actors who occupy a similar level of participation do not directly comprise a similar form and function of participation. However, the diverse forms and levels of participation in sustainable innovation establish a different type of relation and space for interaction between designers and other actors involved.
Eksplorasi Ekstrak Pewarna Alami Sebagai Bahan Pewarna Organik Untuk Tekstil Cetak Syahida Nisa Abdurahman; Kahfiati Kahdar
JURNAL RUPA Vol 6 No 2 (2021): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v6i2.3792

Abstract

Environmental conservation and sustainable living were a movement that directed people to return to using eco-friendly materials, especially in creating textile products. One solution to the problem is to reduce textile waste made from synthetic materials by creating organic inks that can be an alternative ink in the textile printing process. This study used a qualitative approach and experimental methods through the exploratory phase of the extract solution of several natural dyes added with the thickener alginate, guar gum, and tapioca flour. The organic ink has been applied to textiles made from 100% cotton using a screen printing technique with a post-mordanting fixation process. This experiment aimed to determine the optimal results of the dye paste solution (organic ink) on absorption, fabric color, fading test, visual and texture results. The experimental results prove that color printing using eco-friendly materials with screen printing techniques can be applied to textiles. Each extract solution, thickening agent, and mordant substance on the fixation process have different absorption with the result that has been made varying colors and visual results on the textile surface.
PERBANDINGAN BUSANA TOKOH SRI KRESNA PADA RELIEF KRESNAYANA CANDI WISNU PRAMBANAN DAN CANDI INDUK PANATARAN Waridah Muthi’ah; Agus Sachari; Kahfiati Kahdar
Makna: Jurnal Kajian Komunikasi, Bahasa, dan Budaya Vol 5 No 1 (2014): MAKNA : Jurnal Kajian Komunikasi, Bahasa dan Budaya
Publisher : Fakultas Komunikasi, Sastra, dan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33558/makna.v5i1.873

Abstract

Kresna, hero and deity of Mahabharata legend, played major role as one example of morality and wisdom in Javanese traditional art and literature. Related with his status and identity as avatar of Vishnu, his traditional portrayal in India based on canon such as Manasara and Silpasastra. In Classical Java, he has been portrayed in Kresnayana reliefs on Vishnu Temple, Prambanan Complex and Main Temple, Panataran Complex. In those reliefs, his images were not strictly followed the canon, especially in costumes. Kresna’s appearance on Prambanan Temple showed different details in costumes, headgear, and accessories in comparison with Panataran Temple. Reliefs in Prambanan looked more similar with Krishna’s images influenced by 7th and 8th century Pallava art, in both carving style and costumes wore by the character, while reliefs in Panataran showed some indigenous characteristics. This research focused to compare Kresna’s portrayal diachronically in those temple, by using descriptive, comparative, and historical methods. It concluded that transformation of Kresna’s image went parallel with transmigration of power center to East Java, which followed by the development of macrocosmos-microcosmos parallels, as indicated by the depiction of king as deity and the culmination of Vishnu’s worships. The variations of Kresna’s image not only brought diversity based on local influence, but also engendered new system, which later developed into the basis of traditional Javanese art and king’s apparels
Karakteristik Visual Busana Kebaya Ibu Negara Indonesia S Suciati; Agus Sachari; Kahfiati Kahdar; Achmad Syarif
Mudra Jurnal Seni Budaya Vol 31 No 2 (2016): Mei
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v31i2.32

Abstract

Busana Ibu Negara mempresentasikan citra perempuan Indonesia. Busana Kebaya Ibu Negara merupakan Busana Nasional yang keberadaannya sebagai salah satu identitas visual yang memiliki karakteristik tertentu sebagai identitas visual nasional. Tujuan penelitian ini, mendeskripsikan secara visual karakteristik Busana Kebaya Ibu Negara sebagai busana nasional. Metode penelitian historis (latar belakang budaya, pendidikan, dan lingkungan pergaulan) digunakan sebagai cara untuk mengungkapkan karakteristik Busana Kebaya Ibu Negara Indonesia. Kajian ini menunjukkan adanya karakteristik Busana Kebaya Ibu Negara yang meliputi hair do, make up, busana bagian atas (kebaya nasional), busana bagian bawah (kain panjang/kain tradisional daerah Indonesia), beserta pemakaian aksessories dan millincriesnya. Karakteristik Busana Kebaya Ibu Negara meliputi karakteristik bentuk fisik, ragam hias, bahan, ukuran, dan cara pakai. Kesimpulan dari kajian ini adalah adanya pengelompokkan jenis busana kebaya dari berbagai busanakebaya yang popular di Indonesia, dan adanya ciri-ciri tertentu pada busana kebaya untuk Ibu Negara yang umumnya menunjukkan Busana Nasional perempuan Indonesia.
PENGAPLIKASIAN TEKNIK MAKRAME PADA BUSANA LINGERIE SEBAGAI REPRESENTASI EKSPRESI DIRI Allegra Qothrunnadaa Arifah Hafshoh; Kahfiati Kahdar
Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain Vol. 7 No. 1 (2024): Jurnal Seni dan Reka Rancang : Jurnal Ilmiah Magister Desain
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/jsrr.v7i1.18996

Abstract

The stigma related to lingerie in Indonesia is still focused on the perception of naughty clothing, rather than as a form of intimate and feminine expression, so local brand lingerie production is still not prominent. This research aims to investigate how much macrame techniques in lingerie design can meet the needs of self-expression and fashion innovation. This research uses design and development methods. Research data was taken from websites, scientific journals, e-books, reference books, Google forms, and direct observation. The research results show that integrating macrame techniques in lingerie design can fulfill the desire for femininity, producing aesthetic and functional products. This research concludes that lingerie design with this approach attracts market interest and creates new economic opportunities in the Indonesian market, elevating the concept of self-expression and femininity to a higher level.  
Co-Authors Achmad Syarif Agus Sachari Allegra Qothrunnadaa Arifah Hafshoh Puspita, Eka Arifianty S Suciati Syahida Nisa Abdurahman Waridah Muthi’ah