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All Journal Haluan Sastra Budaya Jurnal Bahasa, Sastra, dan Studi Amerika
Iyank Zona Brammastian
Universitas Sebelas Maret
Arts Languange, Linguistic, Communication & Media

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THE ORIENTALISM OF ARABS IN LARRY CHARLES FILM’S THE DICTATOR Iyank Zona Brammastian
Haluan Sastra Budaya Vol 3, No 1 (2019)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (290.642 KB) | DOI: 10.20961/hsb.v3i1.27476

Abstract

This article aims to portray the Orientalism of Arabs in Larry Charles’s film The Dictator (2012). The research applies Edward Said’s Orientalism to define the Western perspective in representing the awful images of Arabs in the film. It also deploys post-colonial discourse and comedy film theory in defining the distorted images of Arabs which often represented not as its natural form in this comedy genre film. The material object in this paper is The Dictator (2012) by Larry Charles. The formal object is the Arab representing by colonial bias. As the result – throughout many Western and Orientalist creations – Arabs are depicted as bomber, barbaric and lustful.
The Orientalism of Arabs in Larry Charles Film’s The Dictator Iyank Zona Brammastian
Jurnal Bahasa, Sastra, dan Studi Amerika Vol 25, No 2 (2019)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/jbssa.v25i1.27488

Abstract

This article aims to portray the Orientalism of Arabs in Larry Charles’s film The Dictator (2012). The research applies Edward Said’s Orientalism to define the Western perspective in representing the awful images of Arabs in the film. It also deploys post-colonial discourse and comedy film theory in defining the distorted images of Arabs which often represented not as its natural form in this comedy genre film. As the result – throughout many Western and Orientalist creations – Arabs are depicted as bomber, barbaric and lustful.
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