Garuda - Garba Rujukan Digital

Sulistiami sulis

Universitas PGRI Adi Buana Surabaya

Author-ID : 3777507

Agriculture, Biological Sciences & Forestry Humanities Education Engineering Languange, Linguistic, Communication & Media

Published : 2 Documents Claim Missing Document

Claim Missing Document

Articles

1

STUDI TATA RIAS DAN BUSANA PENGANTIN LEGHA SUMENEP MADURA Sulistiami sulis; Iut Nuraini
WAHANA Vol 69 No 2 (2017)
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Marriage isthe most sacred ceremony in the course of human life,each region hasits own proceduresperformed by tribes Madura in general and especially in the city Sumenep. Make up and bridalfashion become the center ofattention of the public and guests who attended the wedding,therefore,the bride would want to look attractive. Bridal Sumenep on each night receptionis dividedinto three kinds, namely legha bridal make up, bridal make up bridal make up kapotren and candles.The discussion on this matter is devoted to review of bridal legha. This research is motivated by thefact that Indonesia is actually rich variety harmoninasi customs in public life. The procedure foreachevent must be different tribe, one of the brides in East Java there that has a characteristicunique make up, among others Madura particularly Sumenep. Formulation of the problem in thisstudy is "How do makeup, fashion and bridal accessories legha Sumenep Madura?".The goal is todescribe the results of makeup, fashion and bridal accessories legha Sumenep Madura. Subjects inthis study consist edoffive people and the institutions, among others, the Department of TourismCulture Youth and Sports Sumenep, bridal make up expert legha Sumenep among others Drs.RMTaufiqurrahmanheisat the same legha bridal make up Sumenep cultural figures, Hj.Uhana bridalmake up artist and one of the members of the DPCHARPI MELATISumenepdistrict,Nuningmotherwhois also a bridal make up in Sumenep, as well as the male and female models areready make up legha bride. Data obtained by observation, interviews and documentation.

IMPLEMENTASI PEMBELAJARAN LANGSUNG MEMBUAT PAES PROPOSIONAL PADA PENGANTIN INDONESIA JOGJA Vony F.S; Sulistiami sulis
WAHANA Vol 69 No 2 (2017)
Publisher : LPPM Universitas PGRI Adi Buana Surabaya

Study aims to determine the results of learning to make paes proportionally through direct learningmodel approach. The study used a one shots case study design study. The subjects of the study werestudents of Adi Buana University class of 2016, amounting to 25 people. Methods of data collectionusing written tests make design and performance tests make paes on the model. The bride Yogja Putriis one of the bridal makeup styles of court the Yogjakarta. Characteristic of the bride Java princess isa form of paes on the forehead that only uses a shoot, without using prada. Making bridal paes bothsolo and Yogja, Originally using traditional methods, but as the development of science then themethod proportional to alternative making paes. Paes is a black or green forehead makeup. Paes onthe bride Yogja consists of 4 parts, namely penunggul, penyep, penitis and godeg. The purpose of thisstudy is to know the learning outcomes of making Yogja princess paes with direct learning modelproportionally, Proportional Technique is Technique of making paes which base on visualization ofbridal face that is peak of nose and corner of eye of outside. These benchmarks are used to makepenunggul, penitis, pengapit and godeg. The purpose of making paes proportionally is to ease inmaking paes for beginners, especially students. Learning outcomes make paes proportionally easierby using visualization of the bridal face as a benchmark. This is evidenced by the increase of learningoutcomes from making the design to the actual model of the cycle I average obtained by 83.3%, thesecond cycle of 89.7%, and the average III cycle obtained 95.5%.

Title

Found 2 Documents
Search

Abstract

Abstract

Title Search

Found 2 Documents Search

Abstract

Abstract

Title

Found 2 Documents
Search