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Sensualitas Media Sosial di Era Globalisasi (Kajian Sosiologi Media McLuhan sebagai Analisis Media Masa Kini) A Zahid
Jurnal Sosiologi USK (Media Pemikiran & Aplikasi) Vol 13, No 1 (2019)
Publisher : Sociology Department Of Syiah Kuala University

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (106.505 KB) | DOI: 10.24815/jsu.v13i1.13030

Abstract

Historically, McLuhan stated that electronic dependence in the age of globalization has made humans in a great imagination called "global village". Since the development of electronic mass media technology has spread widely, it has made information resources easily accessible and life's dependence on technology. At present, the development of "global villages" in developed countries is getting worse and ultimately affecting developing countries like Indonesia. Although it provides convenience, it also raises concerns. The development of the social media which should be a source of information and facilitate access to communication instead becomes a place for pornography.Keywords: McLuhan, Social Media, GlobalizationĀ AbstrakSecara historis, McLuhan menyatakan bahwa ketergantungan elektronik pada zaman globalisasi telah membuat manusia berada dalam sebuah imajinasi besar yang disebut "global village". Sejak perkembangan teknologi media massa elektronik menyebar luas membuat sumber informasi mudah diakses dan ketergantungan hidup pada teknologi. Saat ini, perkembangan "desa global" di negara maju semakin parah dan akhirnya mempengaruhi negara-negara berkembang seperti Indonesia. Meski memberikan kemudahan, tetapi juga sekaligus menimbulkan kekhawatiran. perkembangan media sosial yang seyogyanya menjadi sumber informasi dan memudahkan akses komunikasi, malah mejadi ajang pornografi.Kata Kunci: McLuhan, Media Sosial, Globalisasi
REPRESENTASI BUDAYA DALAM FILM SANG PENCERAH DAN SANG KIAI BERDASARKAN SUDUT PANDANG MAX WEBER A Zahid
Jurnal Mediakita : Jurnal Komunikasi dan Penyiaran Islam Vol. 4 No. 2 (2020): Jurnal Mediakita :Jurnal Komunikasi dan Penyiaran Islam
Publisher : Fakultas Usluhuddin dan Dakwah IAIN Kediri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30762/mediakita.v4i2.2620

Abstract

The film is a spectacle that is highly favored by the public, a feature film presentation that gives a significant impact on the taste of choice in viewing, one of which is a heroic film. Not a few enthusiasts because it is thought to be a reflection of the services that have been inscribed by figures who are considered in the film world. Likewise, Khadaratus Syeh KH Hasyim Asy'ari and KH Ahmad Dahlan figures of the Muslim movement that underlies the largest organization in Indonesia, as well as the path of struggle during the colonial era is one of the very interesting paths to be examined. Besides his character as a national hero, these two figures as well as role models from Nahdatul Ulama-based organizations and Muhammadiyah have their own charismatics which in this study the researchers adopted as the aim of knowing how the charisma of the two major national figures in the film Sang Pencerah and Sang Kiai. The descriptive analysis method in this study is to describe the charismatic form of the two characters in the film, as an important analysis also in this study using scene analysis, to see the forms of charisma in the film. It can be concluded that the charisma attached to the figure of the kiai is very influential in influencing society more over the santri community, this happens in two different films, Sang Pencerah and Sang Kiai. All is not spared once again by the establishment of large organizations in Indonesia, namely Muhammadiah and Nahdatul Ulama (NU), so it is not surprising that the representation in this film is the charisma of the founder of Islamic organizations in Indonesia.